Tocando el mundo: Espacio vivencial, visión y hapticidad

Architecture has predominantly been taught, theorised, practised and critiqued as an art form of the eye. The hegemony of the vision has been strengthened by countless technical inventions that enable us to see inside matter as well as into deep space. However, in creative work, a powerful identific...

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Asıl Yazarlar:	Pallasmaa, Juhani, García Alvarado, Rodrigo
Materyal Türü:	Online
Dil:	spa
Baskı/Yayın Bilgisi:	Universidad del Bío-Bío, Chile 2009
Online Erişim:	https://revistas.ubiobio.cl/index.php/AS/article/view/826
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id	oai:ojs.revistas.ubiobio.cl:article-826
record_format	ojs
spelling	oai:ojs.revistas.ubiobio.cl:article-8262018-03-27T00:26:18Z Tocando el mundo: Espacio vivencial, visión y hapticidad Touching the world: Lived space, vision and hapticity Pallasmaa, Juhani García Alvarado, Rodrigo arquitectura visión tacto sentido de identidad experiencia architecture vision sense of touch sense of identity experience Architecture has predominantly been taught, theorised, practised and critiqued as an art form of the eye. The hegemony of the vision has been strengthened by countless technical inventions that enable us to see inside matter as well as into deep space. However, in creative work, a powerful identification and projection takes place; the entire bodily and mental constitution becomes the site of the work. Touch is the sensory mode that integrates our experiences of the world and of ourselves. An architect or artist works in an embodied manner, a sense of success or failure are sensations of the body rather than products of cognitive knowledge. “Life-enhancing” art and architecture addresses all the senses simultaneously, and fuses our sense of self with the experience of the world. The tendentiously visual culture of our times, and its subsequent optical architecture, has led to a search for a haptical and multisensual architecture, an architecture of invitation. La arquitectura ha sido primordialmente enseñada, teorizada, practicada y criticada como un arte para el ojo. La hegemonía de la visión se ha fortalecido por innumerables invenciones técnicas que nos permiten ver dentro de la materia, como en las extensiones del espacio. Sin embargo en el trabajo creativo, se realiza una poderosa identificación y proyección; el cuerpo entero y la constitución mental se convierten en el lugar de trabajo. El tacto es el modo sensorial que integra nuestras experiencias del mundo y nosotros mismos. Un arquitecto o artista, trabaja de una manera corporal, su éxito o fracaso es sentido en el cuerpo, más que como acción cognitiva. La contribución vivencial del arte y la arquitectura involucra todos los sentidos simultáneamente, y funde nuestro sentido de identidad con la experiencia del mundo. La cultura tendenciosamente visual de nuestro tiempo, y su subsecuente arquitectura óptica, han hecho surgir una búsqueda de la arquitectura háptica y multisensorial, una arquitectura de la invitación. Universidad del Bío-Bío, Chile 2009-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.ubiobio.cl/index.php/AS/article/view/826 ARQUITECTURAS DEL SUR; V.27, N.36 (Diciembre 2009): IDENTIDAD Y ARQUITECTURA; 80-93 ARQUITECTURAS DEL SUR; V.27, N.36 (Diciembre 2009): IDENTIDAD Y ARQUITECTURA; 80-93 ARQUITECTURAS DEL SUR; V.27, N.36 (Diciembre 2009): IDENTIDAD Y ARQUITECTURA; 80-93 0719-6466 0716-2677 spa https://revistas.ubiobio.cl/index.php/AS/article/view/826/783
institution	Universidad del Bío-Bío
collection	OJS
language	spa
format	Online
author	Pallasmaa, Juhani García Alvarado, Rodrigo
spellingShingle	Pallasmaa, Juhani García Alvarado, Rodrigo Tocando el mundo: Espacio vivencial, visión y hapticidad
author_facet	Pallasmaa, Juhani García Alvarado, Rodrigo
author_sort	Pallasmaa, Juhani
title	Tocando el mundo: Espacio vivencial, visión y hapticidad
title_short	Tocando el mundo: Espacio vivencial, visión y hapticidad
title_full	Tocando el mundo: Espacio vivencial, visión y hapticidad
title_fullStr	Tocando el mundo: Espacio vivencial, visión y hapticidad
title_full_unstemmed	Tocando el mundo: Espacio vivencial, visión y hapticidad
title_sort	tocando el mundo: espacio vivencial, visión y hapticidad
description	Architecture has predominantly been taught, theorised, practised and critiqued as an art form of the eye. The hegemony of the vision has been strengthened by countless technical inventions that enable us to see inside matter as well as into deep space. However, in creative work, a powerful identification and projection takes place; the entire bodily and mental constitution becomes the site of the work. Touch is the sensory mode that integrates our experiences of the world and of ourselves. An architect or artist works in an embodied manner, a sense of success or failure are sensations of the body rather than products of cognitive knowledge. “Life-enhancing” art and architecture addresses all the senses simultaneously, and fuses our sense of self with the experience of the world. The tendentiously visual culture of our times, and its subsequent optical architecture, has led to a search for a haptical and multisensual architecture, an architecture of invitation.
publisher	Universidad del Bío-Bío, Chile
publishDate	2009
url	https://revistas.ubiobio.cl/index.php/AS/article/view/826
work_keys_str_mv	AT pallasmaajuhani tocandoelmundoespaciovivencialvisionyhapticidad AT garciaalvaradorodrigo tocandoelmundoespaciovivencialvisionyhapticidad AT pallasmaajuhani touchingtheworldlivedspacevisionandhapticity AT garciaalvaradorodrigo touchingtheworldlivedspacevisionandhapticity
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Tocando el mundo: Espacio vivencial, visión y hapticidad

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