Painting post-photo :outlook and table of approaching
The invention of photography not only establishes a new relationship between man and reality, but it also amends the state of the art, until then accustomed to the figurative representation of events. The transformation process initiated by the Impressionists, towards the end of the nineteenth centu...
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Universidad de Chile. Facultad de Arquitectura y Urbanismo
2008
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| Online Access: | https://dearquitectura.uchile.cl/index.php/RA/article/view/28183 |
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oai:ojs.revistas.uchile.cl:article-281832018-03-14T21:47:59Z Painting post-photo :outlook and table of approaching Pintura post-fotografía: panorama y cuadro de acercamiento Meza W., Fernán The invention of photography not only establishes a new relationship between man and reality, but it also amends the state of the art, until then accustomed to the figurative representation of events. The transformation process initiated by the Impressionists, towards the end of the nineteenth century, will remain in permanent evolution during the first half of the twentieth century, a period in which art will eventually set the path toabstraction, from which the verbatim transcript of a reality now can be captured and immortalized by the photograph. La invención de la fotografía no sólo establece una nueva relación entre el hombre y la realidad, sino también, modifica el estado del arte, acostumbrado hasta entonces a la representación figurativa de los acontecimientos. El proceso de transformación iniciado por los Impresionistas, hacia finales del siglo xix, seguirá en evolución permanente durante la primera mitad del siglo xx, período en que el arte finalmente establecerá el camino hacia la abstracción, despojándose de la transcripción literal de una realidad que ahora puede ser captada e inmortalizada por la fotografía. Universidad de Chile. Facultad de Arquitectura y Urbanismo 2008-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://dearquitectura.uchile.cl/index.php/RA/article/view/28183 10.5354/0719-5427.2008.28183 Revista de Arquitectura; Vol. 14 Núm. 17 (2008): Modernidad y Periferia; Pág. 82-84 0719-5427 0716-8772 spa https://dearquitectura.uchile.cl/index.php/RA/article/view/28183/29883 |
| institution |
Universidad de Chile |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Meza W., Fernán |
| spellingShingle |
Meza W., Fernán Painting post-photo :outlook and table of approaching |
| author_facet |
Meza W., Fernán |
| author_sort |
Meza W., Fernán |
| title |
Painting post-photo :outlook and table of approaching |
| title_short |
Painting post-photo :outlook and table of approaching |
| title_full |
Painting post-photo :outlook and table of approaching |
| title_fullStr |
Painting post-photo :outlook and table of approaching |
| title_full_unstemmed |
Painting post-photo :outlook and table of approaching |
| title_sort |
painting post-photo :outlook and table of approaching |
| description |
The invention of photography not only establishes a new relationship between man and reality, but it also amends the state of the art, until then accustomed to the figurative representation of events. The transformation process initiated by the Impressionists, towards the end of the nineteenth century, will remain in permanent evolution during the first half of the twentieth century, a period in which art will eventually set the path toabstraction, from which the verbatim transcript of a reality now can be captured and immortalized by the photograph. |
| publisher |
Universidad de Chile. Facultad de Arquitectura y Urbanismo |
| publishDate |
2008 |
| url |
https://dearquitectura.uchile.cl/index.php/RA/article/view/28183 |
| work_keys_str_mv |
AT mezawfernan paintingpostphotooutlookandtableofapproaching AT mezawfernan pinturapostfotografiapanoramaycuadrodeacercamiento |
| _version_ |
1709645763345121280 |