Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.

Outside the pun in the title, the influence of Mies in SANAA is evident both in the recognition of the architects themselves as recent studies that link. Delved into this "connection", a significant example is the intervention Kazuyo Sejima + Ryue Nishizawa made in the Barcelona Pavilion a...

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Main Author:	Muñoz Carabias, Francisco
Format:	Online
Language:	spa
Published:	Universidad de Chile. Facultad de Arquitectura y Urbanismo 2016
Online Access:	https://dearquitectura.uchile.cl/index.php/RA/article/view/41354
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id	oai:ojs.revistas.uchile.cl:article-41354
record_format	ojs
spelling	oai:ojs.revistas.uchile.cl:article-413542018-03-14T20:50:30Z Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies. Conexión MiesSANAA. Sobre la intervención de Sanaa en el Pabellón de Barcelona de Mies. Muñoz Carabias, Francisco Outside the pun in the title, the influence of Mies in SANAA is evident both in the recognition of the architects themselves as recent studies that link. Delved into this "connection", a significant example is the intervention Kazuyo Sejima + Ryue Nishizawa made in the Barcelona Pavilion at the end of 2011.They introduced a transparent curved wall made of acrylic material that "almost" without altering the set enveloped the onyx wall of the "throne room". A primary gesture, the materialization of a tour a "topological" spiral pointing a center which paradoxically dissolves due to multiple reflections that intervention causes. Result: SANAA enter a labyrinth within a labyrinth, delayering, isotropy, and ultimately the "materialization" of a continuous symmetry, understood as a principle of equivalence in the internal structure of spacetime as Noether. An initiation show that reveals the future intentions of the true heirs of Mies. The intervention in the German pavilion thus becomes an offering on the "dissolved altar" of representing the temple of modern architecture. Al margen del juego de palabras del título, la influencia de Mies en SANAA es evidente tanto en el reconocimiento de los propios arquitectos como por los últimos estudios que los vinculan. Ahondado en esta “conexión”, un ejemplo significativo es la intervención que Kazuyo Sejima + Ryue Nishizawa realizaron en el Pabellón de Barcelona a finales del año 2011. Introdujeron un muro curvo transparente de material acrílico que “casi” sin alterar el conjunto envolvía el muro de ónice de la “sala del trono”. Un gesto primario, la materialización de un recorrido, una espiral “topológica” que señalaba un centro que paradójicamente se disuelve a causa de los múltiples reflejos que la intervención provoca. Resultado: SANAA introduce un laberinto dentro de otro laberinto, desjerarquización, isotropía, y en definitiva, la “materialización” de una simetría continua, entendida esta, como principio de equivalencia en la estructura interna del espacio-tiempo según Noether. Un manifiesto iniciático que revela las intenciones futuras de los auténticos herederos de Mies. La intervención en el Pabellón alemán se convierte así en una ofrenda sobre el “altar disuelto” de lo que representa el templo de la arquitectura moderna. Universidad de Chile. Facultad de Arquitectura y Urbanismo 2016-05-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://dearquitectura.uchile.cl/index.php/RA/article/view/41354 10.5354/0719-5427.2016.41354 Revista de Arquitectura; Vol. 21 Núm. 30 (2016): Teoría del Proyecto; Pág. 40-49 0719-5427 0716-8772 spa https://dearquitectura.uchile.cl/index.php/RA/article/view/41354/42898
institution	Universidad de Chile
collection	OJS
language	spa
format	Online
author	Muñoz Carabias, Francisco
spellingShingle	Muñoz Carabias, Francisco Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
author_facet	Muñoz Carabias, Francisco
author_sort	Muñoz Carabias, Francisco
title	Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
title_short	Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
title_full	Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
title_fullStr	Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
title_full_unstemmed	Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.
title_sort	connection miessanaa. on intervention by sanaa in barcelona pavilion of mies.
description	Outside the pun in the title, the influence of Mies in SANAA is evident both in the recognition of the architects themselves as recent studies that link. Delved into this "connection", a significant example is the intervention Kazuyo Sejima + Ryue Nishizawa made in the Barcelona Pavilion at the end of 2011.They introduced a transparent curved wall made of acrylic material that "almost" without altering the set enveloped the onyx wall of the "throne room". A primary gesture, the materialization of a tour a "topological" spiral pointing a center which paradoxically dissolves due to multiple reflections that intervention causes. Result: SANAA enter a labyrinth within a labyrinth, delayering, isotropy, and ultimately the "materialization" of a continuous symmetry, understood as a principle of equivalence in the internal structure of spacetime as Noether. An initiation show that reveals the future intentions of the true heirs of Mies. The intervention in the German pavilion thus becomes an offering on the "dissolved altar" of representing the temple of modern architecture.
publisher	Universidad de Chile. Facultad de Arquitectura y Urbanismo
publishDate	2016
url	https://dearquitectura.uchile.cl/index.php/RA/article/view/41354
work_keys_str_mv	AT munozcarabiasfrancisco connectionmiessanaaoninterventionbysanaainbarcelonapavilionofmies AT munozcarabiasfrancisco conexionmiessanaasobrelaintervenciondesanaaenelpabellondebarcelonademies
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Connection MiesSANAA. On intervention by Sanaa in Barcelona Pavilion of Mies.

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