Urban imaginaries, topophilias and topophobias

As an element of memory and social capital construction, Infrastructure projects constitutes an exquisite model of sovereignty and integral control of the territory that gets materialised in a social memory, through a cultural landscape. This paper is set to explore, in a qualitative dimension, the...

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Principais autores:	Medel Fernández, Matías, Montre Águila, Víctor
Formato:	Online
Idioma:	spa
Publicado em:	Universidad de Chile. Facultad de Arquitectura y Urbanismo 2018
Acesso em linha:	https://revistaurbanismo.uchile.cl/index.php/RU/article/view/48702
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spelling	oai:ojs.revistas.uchile.cl:article-487022021-07-08T15:17:49Z Urban imaginaries, topophilias and topophobias Imaginarios urbanos sobre topofilia y topofobia Medel Fernández, Matías Montre Águila, Víctor As an element of memory and social capital construction, Infrastructure projects constitutes an exquisite model of sovereignty and integral control of the territory that gets materialised in a social memory, through a cultural landscape. This paper is set to explore, in a qualitative dimension, the development of a local and cultural landscape; the changes that has been produced in the territory as the physical matrix, as well as the memory of the community from the city of La Unión (Chile), after the installation of the Llollelhue hydroelectric plant, also known as La Turbina [the turbine]. The architecture, the building that control the water supply, still remain as an important part of the city landscape, with heritage attributes and current profitable vocation. The methodology uses a multiple-scales approach of landscape and social memory, linked as an element of the sociocultural dimension. The preliminary results point to characterize a matrix of the collaborative dynamics, between landscape and society. Thus, this cultural landscape developed by La Turbina, is defined as a heritage system that conjugates features that go far beyond the limits of a building and they refer an epistemology of territory. La modernidad y su asiento en obras de infraestructura, como elemento de memoria y construcción de capital social, constituye un modelo exquisito de soberanía y control integral del territorio, que se materializa también en una memoria social, a través de un paisaje cultural. Se propone explorar en una dimensión cualitativa, la conformación de un paisaje cultural local y los cambios que se han producido en el territorio como matriz física, así como en la memoria de la comunidad de la ciudad de La Unión (Chile), a partir de la instalación de la central hidroeléctrica Llollelhue, más conocida como La Turbina. En una arquitectura como conjunto material, que considera escalas de control del recurso hídrico, y que es parte de un paisaje con atributos patrimoniales y de vocación productiva actual. Esto se aborda metodológicamente desde la comprensión multiescalar de la dimensión del paisaje y de la memoria social vinculada, como elemento de la dimensión socio cultural. Los resultados preliminares apuntan a caracterizar esa matriz hipotética de dinámicas colaborativas entre paisaje y sociedad. Así_ este paisaje cultural desarrollado por La Turbina, se define como un sistema patrimonial que conjuga atributos que van más allá de su representación como bien inmueble y refieren una epistemología del territorio. Universidad de Chile. Facultad de Arquitectura y Urbanismo 2018-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf audio/mpeg https://revistaurbanismo.uchile.cl/index.php/RU/article/view/48702 10.5354/0717-5051.2018.48702 Revista de Urbanismo; Núm. 38 (2018): Junio; 1-16 Revista de Urbanismo; Núm. 38 (2018): Junio; 1-16 0717-5051 spa https://revistaurbanismo.uchile.cl/index.php/RU/article/view/48702/52914 https://revistaurbanismo.uchile.cl/index.php/RU/article/view/48702/60992 Derechos de autor 2018 Revista de Urbanismo
institution	Universidad de Chile
collection	OJS
language	spa
format	Online
author	Medel Fernández, Matías Montre Águila, Víctor
spellingShingle	Medel Fernández, Matías Montre Águila, Víctor Urban imaginaries, topophilias and topophobias
author_facet	Medel Fernández, Matías Montre Águila, Víctor
author_sort	Medel Fernández, Matías
title	Urban imaginaries, topophilias and topophobias
title_short	Urban imaginaries, topophilias and topophobias
title_full	Urban imaginaries, topophilias and topophobias
title_fullStr	Urban imaginaries, topophilias and topophobias
title_full_unstemmed	Urban imaginaries, topophilias and topophobias
title_sort	urban imaginaries, topophilias and topophobias
description	As an element of memory and social capital construction, Infrastructure projects constitutes an exquisite model of sovereignty and integral control of the territory that gets materialised in a social memory, through a cultural landscape. This paper is set to explore, in a qualitative dimension, the development of a local and cultural landscape; the changes that has been produced in the territory as the physical matrix, as well as the memory of the community from the city of La Unión (Chile), after the installation of the Llollelhue hydroelectric plant, also known as La Turbina [the turbine]. The architecture, the building that control the water supply, still remain as an important part of the city landscape, with heritage attributes and current profitable vocation. The methodology uses a multiple-scales approach of landscape and social memory, linked as an element of the sociocultural dimension. The preliminary results point to characterize a matrix of the collaborative dynamics, between landscape and society. Thus, this cultural landscape developed by La Turbina, is defined as a heritage system that conjugates features that go far beyond the limits of a building and they refer an epistemology of territory.
publisher	Universidad de Chile. Facultad de Arquitectura y Urbanismo
publishDate	2018
url	https://revistaurbanismo.uchile.cl/index.php/RU/article/view/48702
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Urban imaginaries, topophilias and topophobias

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