Maps, plans and sketches in the construction of Greater Buenos Aires

Throughout the 20th and the early 21st century, the extension of what became Greater Buenos Aires was subject to diverse graphic representations, from detailed topographical maps to schematic proposals. What relationships existed between the maps and diagrams of the urban plans proposed for the Metr...

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التفاصيل البيبلوغرافية
المؤلفون الرئيسيون: Novick, Alicia; Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”. Facultad de Arquitectura, Diseño y Urbanismo. Universidad de Buenos Aires. Intendente Güiraldes 2160 - Ciudad Universitaria, Pabellón III, 4º piso. Ciudad Autónoma de Buenos Aires, Argentina., Favelukes, Graciela; CONICET, Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”. Facultad de Arquitectura, Diseño y Urbanismo. Universidad de Buenos Aires. Intendente Güiraldes 2160 - Ciudad Universitaria, Pabellón III, 4º piso. Ciudad Autónoma de Buenos Aires, Argentina., Vecslir, Lorena; Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) - Instituto de Geografía Romualdo Ardissone. Facultad de Filosofía y Letras. Universidad de Buenos Aires (IG-FFyL-UBA) Puán 480, 4° piso. Ciudad Autónoma de Buenos Aires, Argentina.
التنسيق: Online
اللغة:spa
منشور في: Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo” 2016
الوصول للمادة أونلاين:https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/162
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الوصف
الملخص:Throughout the 20th and the early 21st century, the extension of what became Greater Buenos Aires was subject to diverse graphic representations, from detailed topographical maps to schematic proposals. What relationships existed between the maps and diagrams of the urban plans proposed for the Metropolitan Area of Buenos Aires in that period? As we put it, the tensions between “the existing city” –such as presented in the general cartographies– and the “projected city”, which results from the interpretative and schematic proposals, show that the images, defined by transforming technologies, debates, and methods of transformation, construct ways of seeing. To address this issue, attempting neither a long-term history nor a brief summary, this paper proposes an exploration of four turning points that we consider illustrative of the process of the visual formulation of Greater Buenos Aires.