Carmen’s architecture

From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. I...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Martínez Nespral, Fernando Luis; Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”. Facultad de Arquitectura, Diseño y Urbanismo. Universidad de Buenos Aires (IAA-FADU-UBA). Intendente Güiraldes 2160. Ciudad Universitaria, Pabellón III, 4º piso. Ciudad Autónoma de Buenos Aires.
Formato: Online
Lenguaje:spa
Publicado: Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo” 2017
Acceso en línea:https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/215
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
Descripción
Sumario:From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. In parallel, we will cover the architectural facet of that myth from the privileged view of the famous architect of the Paris Opera house and its focus on Spanish architecture and cities of the mid-19th century.