Carmen’s architecture

From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. I...

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Xehetasun bibliografikoak
Egile nagusia: Martínez Nespral, Fernando Luis; Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo”. Facultad de Arquitectura, Diseño y Urbanismo. Universidad de Buenos Aires (IAA-FADU-UBA). Intendente Güiraldes 2160. Ciudad Universitaria, Pabellón III, 4º piso. Ciudad Autónoma de Buenos Aires.
Formatua: Online
Hizkuntza:spa
Argitaratua: Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo” 2017
Sarrera elektronikoa:https://www.iaa.fadu.uba.ar/ojs/index.php/anales/article/view/215
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Gaia:From the recently published Spanish travel book of Charles Garnier (1868), we propose to develop in this article Carmen’s architecture in a double sense. First, through the architecture that builds the romantic myth of a “España de pandereta” represented by the drama of the cigar maker of Seville. In parallel, we will cover the architectural facet of that myth from the privileged view of the famous architect of the Paris Opera house and its focus on Spanish architecture and cities of the mid-19th century.