The cut, the hole and the eclipse: Matta-Clark’s sections
In 1974, Matta-Clark cut a suburban family house scheduled for demolition; action called “Splitting”, a radical dissection from the house’s foundation to the roof throughout the whole body of the house, creating a new and radical architectural state that anticipated his future interventions. Then ca...
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oai:ojs.www.unisinos.br:article-20682021-08-30T19:09:20Z The cut, the hole and the eclipse: Matta-Clark’s sections O corte, o furo e a eclipse: secções de Matta-Clark Chateau, Hernán Barría In 1974, Matta-Clark cut a suburban family house scheduled for demolition; action called “Splitting”, a radical dissection from the house’s foundation to the roof throughout the whole body of the house, creating a new and radical architectural state that anticipated his future interventions. Then came “Conical Intersect” and “Day’s End”. His works describe a permanent disagreement with architectural functionalism and modern principles of architecture and put forward an endless series of questions about architecture and the sense of space, where the value of space lies not on its functionality but on its metaphorical possibilities.Key words: Matta-Clark, Splitting. Em 1974, Matta-Clark corta uma casa condenada à demolição na periferia de NY, a ação chamada “Splitting”, é uma dissecação radical desde a fundação até o teto passando por todo o corpo da casa, criando um estado arquitetônico novo e radical que antecipa suas futuras intervenções. Em seguida veio “Conical Intersect” e “Day’s End”. Suas obras descrevem uma discordância permanente com o funcionalismo e princípios da arquitetura moderna e apresentam uma série de infinitas perguntas sobre a arquitetura e o sentido do espaço, onde seu valor não reside na funcionalidade, mas em suas possibilidades metafóricas.Palavras-chave: Matta-Clark, Splitting. Unisinos 2011-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2011.72.01 10.4013/arq.2011.72.01 Arquitetura Revista; v. 7 n. 2 (2011): Jul-Dez; 95-100 1808-5741 eng https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2011.72.01/635 |
| institution |
Universidad de Vale do Rio dos Sinos (UNISINOS) |
| collection |
OJS |
| language |
eng |
| format |
Online |
| author |
Chateau, Hernán Barría |
| spellingShingle |
Chateau, Hernán Barría The cut, the hole and the eclipse: Matta-Clark’s sections |
| author_facet |
Chateau, Hernán Barría |
| author_sort |
Chateau, Hernán Barría |
| title |
The cut, the hole and the eclipse: Matta-Clark’s sections |
| title_short |
The cut, the hole and the eclipse: Matta-Clark’s sections |
| title_full |
The cut, the hole and the eclipse: Matta-Clark’s sections |
| title_fullStr |
The cut, the hole and the eclipse: Matta-Clark’s sections |
| title_full_unstemmed |
The cut, the hole and the eclipse: Matta-Clark’s sections |
| title_sort |
cut, the hole and the eclipse: matta-clark’s sections |
| description |
In 1974, Matta-Clark cut a suburban family house scheduled for demolition; action called “Splitting”, a radical dissection from the house’s foundation to the roof throughout the whole body of the house, creating a new and radical architectural state that anticipated his future interventions. Then came “Conical Intersect” and “Day’s End”. His works describe a permanent disagreement with architectural functionalism and modern principles of architecture and put forward an endless series of questions about architecture and the sense of space, where the value of space lies not on its functionality but on its metaphorical possibilities.Key words: Matta-Clark, Splitting. |
| publisher |
Unisinos |
| publishDate |
2011 |
| url |
https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2011.72.01 |
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