“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany
The present paper about the UFA Palace in Dresden tries to reveal the way in which an architectural paradigm proves to be a link in the evolution chain of the history of architecture from everything that an architect observes, perceives and post-interprets. Thus, we notice in the UFA Palace some re-...
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oai:ojs.www.unisinos.br:article-21422021-08-30T19:09:20Z “The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany “El Lugar de la Utopía”: Centro Cinematográfi co UFA (1993-1998) – Coop Himmelb(l)au – Dresde, Alemania Conenna, Claudio The present paper about the UFA Palace in Dresden tries to reveal the way in which an architectural paradigm proves to be a link in the evolution chain of the history of architecture from everything that an architect observes, perceives and post-interprets. Thus, we notice in the UFA Palace some re-elaborated or re-discovered architectural elements and spatial situations from the architecture of Le Corbusier, Kiesler, Piranesi, El Lissitzky, Kasimir Malevich, Marcel Breuer, or James Stirling. The architectural work we analyze demonstrates to be didactic because it observes the past without imitating it, but being inspired by it, it simultaneously gets adapted to the zeitgeist and to continue being a paradigm. Key words: Coop Himmelb(l)au, UFA, Dresden, deconstruction. El presente ensayo sobre el UFA Palace en Dresde intenta revelar cómo cada obra paradigmática de arquitectura resulta ser un eslabón en la cadena evolutiva de la historia de la arquitectura a partir de la observación, la percepción y la post-interpretación de lo que creativamente puede ver un arquitecto que compone. Así, en el UFA Palace se podrían advertir elementos compositivos y situaciones espaciales re-elaboradas o re-descubiertas desde otras arquitecturas como la de Le Corbusier, Kiesler, Piranesi, El Lissitzky, Kasimir Malevich, Marcel Breuer, o James Stirling. La obra en cuestión resulta ser didáctica porque mirando al pasado sin imitarlo, sino más bien inspirándose en él consigue al tiempo adaptarse al espíritu de nuestros tiempos y seguir siendo paradigma. Palabras clave: Coop Himmelb(l)au, UFA, Dresde, deconstrucción. Unisinos 2012-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2012.81.03 10.4013/arq.2012.81.03 Arquitetura Revista; v. 8 n. 1 (2012): Jan-Jun; 17-22 1808-5741 spa https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2012.81.03/877 |
| institution |
Universidad de Vale do Rio dos Sinos (UNISINOS) |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Conenna, Claudio |
| spellingShingle |
Conenna, Claudio “The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| author_facet |
Conenna, Claudio |
| author_sort |
Conenna, Claudio |
| title |
“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| title_short |
“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| title_full |
“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| title_fullStr |
“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| title_full_unstemmed |
“The Place of Utopia”: UFA Cinema Center (1993-1998) – Coop Himmelb(l)au – Dresden, Germany |
| title_sort |
“the place of utopia”: ufa cinema center (1993-1998) – coop himmelb(l)au – dresden, germany |
| description |
The present paper about the UFA Palace in Dresden tries to reveal the way in which an architectural paradigm proves to be a link in the evolution chain of the history of architecture from everything that an architect observes, perceives and post-interprets. Thus, we notice in the UFA Palace some re-elaborated or re-discovered architectural elements and spatial situations from the architecture of Le Corbusier, Kiesler, Piranesi, El Lissitzky, Kasimir Malevich, Marcel Breuer, or James Stirling. The architectural work we analyze demonstrates to be didactic because it observes the past without imitating it, but being inspired by it, it simultaneously gets adapted to the zeitgeist and to continue being a paradigm. Key words: Coop Himmelb(l)au, UFA, Dresden, deconstruction. |
| publisher |
Unisinos |
| publishDate |
2012 |
| url |
https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2012.81.03 |
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AT conennaclaudio theplaceofutopiaufacinemacenter19931998coophimmelblaudresdengermany AT conennaclaudio ellugardelautopiacentrocinematograficoufa19931998coophimmelblaudresdealemania |
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