Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit”
On the inevitability of a relation between Architecture and its cultural and social context, an investigation is being developed since the beginning of the 1990s, using an interpretive hermeneutics structure based on the work of Mikhail Bakhtin. Bakhtin’s work, which is summarized by Tzvetan Todorov...
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2013
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oai:ojs.www.unisinos.br:article-49932021-08-30T19:09:20Z Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” Tempo e Recitação: parte um. Álvaro Siza e as “Piscinas das Marés”: a partir do título “Temps et récit” de Paul Ricoeur Zúquete, Ricardo do Canto Moniz On the inevitability of a relation between Architecture and its cultural and social context, an investigation is being developed since the beginning of the 1990s, using an interpretive hermeneutics structure based on the work of Mikhail Bakhtin. Bakhtin’s work, which is summarized by Tzvetan Todorov in his book The Dialogical Principle, demonstrates that a text – any cultural act produced by an author – can only be interpreted and understood through a dialogical analysis between the text and its cultural and social context. Methodologically, these studies’ reference is the work of Paul Ricoeur of the “Triple mimèsis”, consisting of three distinct phases: the elaboration of the architectural thought as a text, its concretion in building and its use and destination. Since a more extensive work on Social Housing in Portugal was carried between 1993 and 2000, this hermeneutic structure has been tested in different case studies. It is the case of this project/text of “Piscina das marés” (Porto, 1961/1966) that unveils an investigation work carried out through original interviews of Álvaro Siza about his project. The dialogical analysis of this work, essential to know Siza as an author, is presented throughout all the text in a creative writing manner, looking to test, in its poetical geometry, a relation between the figure of architecture and the poetical singularity of these swimming pools.Key words: dialogy, mimesis, text, context. Sobre a inevitabilidade de uma relação entre a arquitectura e o seu contexto cultural e social vem sendo desenvolvido um trabalho de investigação, desde o início dos anos noventa, usando uma estrutura hermenêutica interpretativa a partir do trabalho de Mikhail Bakhtin. Esse trabalho, que Tzvetan Todorov tão bem resume no seu livro The Dialogical Principle, demonstra como um texto – qualquer acto cultural produzido por um autor – só pode ser interpretado e compreendido através de uma análise dialógica entre esse texto e o seu contexto cultural e social. Para a metodologia destes estudos é referência o trabalho de Paul Ricoeur e “La triple mimèsis”, sendo considerada uma leitura em três fases: a elaboração do pensamento do texto arquitectónico, da sua concretização pela obra, e do seu uso e destino. Desde um trabalho mais extenso sobre a Habitação Social em Portugal, realizado entre 1993 e 2000, tem-se testado esta estrutura hermenêutica noutros casos de estudo. É o caso deste texto/projecto das “Piscinas das Marés” (Porto, 1961/1966) agora apresentado, que revela um trabalho realizado a partir de entrevistas inéditas a Álvaro Siza sobre o seu projecto. Para além da análise dialógica deste projecto, essencial para conhecer Siza enquanto autor, ao longo do texto a escrita criativa procura ensaiar, na sua geometria e poética, uma relação com a figura da própria arquitectura e poética singular destas piscinas.Palavras-chave: dialogia, mimesis, texto, contexto. Unisinos 2013-12-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.92.10 10.4013/arq.2013.92.10 Arquitetura Revista; v. 9 n. 2 (2013): Jul-Dez; 170-180 1808-5741 por https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.92.10/3892 |
| institution |
Universidad de Vale do Rio dos Sinos (UNISINOS) |
| collection |
OJS |
| language |
por |
| format |
Online |
| author |
Zúquete, Ricardo do Canto Moniz |
| spellingShingle |
Zúquete, Ricardo do Canto Moniz Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| author_facet |
Zúquete, Ricardo do Canto Moniz |
| author_sort |
Zúquete, Ricardo do Canto Moniz |
| title |
Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| title_short |
Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| title_full |
Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| title_fullStr |
Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| title_full_unstemmed |
Time and Recitation: part one. Álvaro Siza and “Piscinas das Marés”: From Paul Ricoeur’s title “Temps et récit” |
| title_sort |
time and recitation: part one. álvaro siza and “piscinas das marés”: from paul ricoeur’s title “temps et récit” |
| description |
On the inevitability of a relation between Architecture and its cultural and social context, an investigation is being developed since the beginning of the 1990s, using an interpretive hermeneutics structure based on the work of Mikhail Bakhtin. Bakhtin’s work, which is summarized by Tzvetan Todorov in his book The Dialogical Principle, demonstrates that a text – any cultural act produced by an author – can only be interpreted and understood through a dialogical analysis between the text and its cultural and social context. Methodologically, these studies’ reference is the work of Paul Ricoeur of the “Triple mimèsis”, consisting of three distinct phases: the elaboration of the architectural thought as a text, its concretion in building and its use and destination. Since a more extensive work on Social Housing in Portugal was carried between 1993 and 2000, this hermeneutic structure has been tested in different case studies. It is the case of this project/text of “Piscina das marés” (Porto, 1961/1966) that unveils an investigation work carried out through original interviews of Álvaro Siza about his project. The dialogical analysis of this work, essential to know Siza as an author, is presented throughout all the text in a creative writing manner, looking to test, in its poetical geometry, a relation between the figure of architecture and the poetical singularity of these swimming pools.Key words: dialogy, mimesis, text, context. |
| publisher |
Unisinos |
| publishDate |
2013 |
| url |
https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2013.92.10 |
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