The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977

If the house, of course, lies in the center of any discussion about dwelling, the architect’s house will be, without any doubt, of special interest. Francisco Javier Sáenz de Oíza had the fortune of living a major part of his live in houses projected by himself. This was not the case, however, of hi...

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मुख्य लेखक: de Lózar de la Viña, Miguel
स्वरूप: Online
भाषा:spa
प्रकाशित: Unisinos 2015
ऑनलाइन पहुंच:https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2014.102.05
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spelling oai:ojs.www.unisinos.br:article-53712021-08-30T19:09:20Z The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977 La cabaña vertical. Un proyecto inacabado para una casa en Oropesa, España. Sáenz de Oíza, c. 1967-1977 de Lózar de la Viña, Miguel If the house, of course, lies in the center of any discussion about dwelling, the architect’s house will be, without any doubt, of special interest. Francisco Javier Sáenz de Oíza had the fortune of living a major part of his live in houses projected by himself. This was not the case, however, of his so many times drawn house in Oropesa, which was never built. When in 1992, already as professor emeritus, Oíza had to give a lectura about the house in Madrid’s School of Architecture, he did not talk about the houses where he had lived, nor the houses he had built for his clients, but decided to rescue from oblivion this small retreat, unknown to almost everyone. It was a small hut lost in the woods. Its minimal program was really adjusted in its dimensional development, and the construction techniques proposed molded this austere spirit of the house. However, the hut had a specific characteristic that stood out above the others: contrary to what might be expected, this was a vertical hut. With the graphic reconstruction and the analysis of this small piece of architecture, we will try to shed some light, to search for a particular meaning, for the intense and polyhedral architecture of a man who was some times accused of “drifting”, but who has always been complex and fascinating.Keywords: Oíza, modern hut, vertical hut, meaning, technique, modern architecture, retreat in Oropesa, Spanish architecture. Si la casa, como es lógico, se encuentra en el centro de cualquier discusión sobre el habitar, la casa del arquitecto tendrá, sin duda, un especial interés en este ámbito. Francisco Javier Sáenz de Oíza tuvo la fortuna de poder vivir gran parte de su vida en casas proyectadas por él mismo. No ocurrió así, sin embargo, en el caso de su tantas veces dibujada casa en Oropesa, que nunca llegó a construir. Cuando en 1992, ya profesor emérito, Oíza tuvo que dar una conferencia acerca de la casa en la Escuela de Arquitectura de Madrid, no enseñó ninguna de aquellas que había podido construir para él, ni siquiera alguna de las que había realizado para sus clientes, sino que rescató del olvido este pequeño refugio desconocido para casi todos. Se trataba de una pequeña cabaña en mitad del bosque. El programa, mínimo, se encontraba verdaderamente ajustado en sus dimensiones y las técnicas constructivas que se proponían incidían en este carácter austero de la vivienda. Sin embargo, la cabaña tenía una particularidad evidente que destacaba por encima de las demás: al contrario de lo que podía esperarse, ésta era una cabaña vertical. Con la reconstrucción gráfica y el análisis de esta pequeña obra intentaremos arrojar algo de luz, buscar una particular construcción de sentido a la intensa y poliédrica arquitectura de un hombre tachado en ocasiones de “navegar a la deriva”, pero sin duda complejo y fascinante.Palabras clave: Oíza, cabaña moderna, cabaña vertical, sentido, técnica, arquitectura moderna, cabaña en Oropesa, arquitectura española. Unisinos 2015-01-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2014.102.05 10.4013/arq.2014.102.05 Arquitetura Revista; v. 10 n. 2 (2014): Jul-Dez; 91-104 1808-5741 spa https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2014.102.05/4486
institution Universidad de Vale do Rio dos Sinos (UNISINOS)
collection OJS
language spa
format Online
author de Lózar de la Viña, Miguel
spellingShingle de Lózar de la Viña, Miguel
The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
author_facet de Lózar de la Viña, Miguel
author_sort de Lózar de la Viña, Miguel
title The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
title_short The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
title_full The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
title_fullStr The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
title_full_unstemmed The vertical hut. An unfinished project for a house in Oropesa, Spain. Sáenz de Oíza, c. 1967-1977
title_sort vertical hut. an unfinished project for a house in oropesa, spain. sáenz de oíza, c. 1967-1977
description If the house, of course, lies in the center of any discussion about dwelling, the architect’s house will be, without any doubt, of special interest. Francisco Javier Sáenz de Oíza had the fortune of living a major part of his live in houses projected by himself. This was not the case, however, of his so many times drawn house in Oropesa, which was never built. When in 1992, already as professor emeritus, Oíza had to give a lectura about the house in Madrid’s School of Architecture, he did not talk about the houses where he had lived, nor the houses he had built for his clients, but decided to rescue from oblivion this small retreat, unknown to almost everyone. It was a small hut lost in the woods. Its minimal program was really adjusted in its dimensional development, and the construction techniques proposed molded this austere spirit of the house. However, the hut had a specific characteristic that stood out above the others: contrary to what might be expected, this was a vertical hut. With the graphic reconstruction and the analysis of this small piece of architecture, we will try to shed some light, to search for a particular meaning, for the intense and polyhedral architecture of a man who was some times accused of “drifting”, but who has always been complex and fascinating.Keywords: Oíza, modern hut, vertical hut, meaning, technique, modern architecture, retreat in Oropesa, Spanish architecture.
publisher Unisinos
publishDate 2015
url https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2014.102.05
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