Architecture and creativity. Reflections on the creative process of the architectural project
This article reflects on the process of the architecture project. In order to do so, it is based on the understanding the project’s process as a creative process, which leads us to understand the action of projecting not as a mechanical action that leads to the resolution of a problem, but as a spec...
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| Formáid: | Online |
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Unisinos
2016
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| Rochtain Ar Líne: | https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2016.122.01 |
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oai:ojs.www.unisinos.br:article-8915 |
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ojs |
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Universidad de Vale do Rio dos Sinos (UNISINOS) |
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spa |
| format |
Online |
| author |
Alba Dorado, María Isabel |
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Alba Dorado, María Isabel Architecture and creativity. Reflections on the creative process of the architectural project |
| author_facet |
Alba Dorado, María Isabel |
| author_sort |
Alba Dorado, María Isabel |
| title |
Architecture and creativity. Reflections on the creative process of the architectural project |
| title_short |
Architecture and creativity. Reflections on the creative process of the architectural project |
| title_full |
Architecture and creativity. Reflections on the creative process of the architectural project |
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Architecture and creativity. Reflections on the creative process of the architectural project |
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Architecture and creativity. Reflections on the creative process of the architectural project |
| title_sort |
architecture and creativity. reflections on the creative process of the architectural project |
| description |
This article reflects on the process of the architecture project. In order to do so, it is based on the understanding the project’s process as a creative process, which leads us to understand the action of projecting not as a mechanical action that leads to the resolution of a problem, but as a speculative process and construction of our own thinking. Thought and creation are closely related in the project process and although the architecture is objectified through building systems and materials, can only conceive by constructing thought. This requires, on the one hand, the knowledge of guidelines, rules and principles objectivable, typical of the architectural discipline, but on the other hand, it needs, like any creative act, to develop in a dialectical relationship with another type of material that is not Specific of this discipline and which is part of a personal world, the result of our experience in the world, in which the architecture project finds in most occasions the base or owe all its wealth. Both factors have the same and decisive importance in the development of the project. However, it is the most objective, rational and easily transmissible aspects that become, in most cases, the center of attention, forgetting or leaving aside that highly subjective component that it has. It is, therefore, this aspect of the architectural project that becomes object of study in the development of this article. The purpose of this project is to unveil the creative process of the architectural project, so that it allows us to know more clearly the complexity of the project and ultimately leads us to speak about issues that we consider relevant in relation to the way of proceeding to do architecture.Keywords: architecture, creativity, project. |
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Unisinos |
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2016 |
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https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2016.122.01 |
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oai:ojs.www.unisinos.br:article-89152021-08-30T19:09:21Z Architecture and creativity. Reflections on the creative process of the architectural project Arquitectura y creatividad. Reflexiones acerca del proceso creativo del proyecto arquitectónico Alba Dorado, María Isabel This article reflects on the process of the architecture project. In order to do so, it is based on the understanding the project’s process as a creative process, which leads us to understand the action of projecting not as a mechanical action that leads to the resolution of a problem, but as a speculative process and construction of our own thinking. Thought and creation are closely related in the project process and although the architecture is objectified through building systems and materials, can only conceive by constructing thought. This requires, on the one hand, the knowledge of guidelines, rules and principles objectivable, typical of the architectural discipline, but on the other hand, it needs, like any creative act, to develop in a dialectical relationship with another type of material that is not Specific of this discipline and which is part of a personal world, the result of our experience in the world, in which the architecture project finds in most occasions the base or owe all its wealth. Both factors have the same and decisive importance in the development of the project. However, it is the most objective, rational and easily transmissible aspects that become, in most cases, the center of attention, forgetting or leaving aside that highly subjective component that it has. It is, therefore, this aspect of the architectural project that becomes object of study in the development of this article. The purpose of this project is to unveil the creative process of the architectural project, so that it allows us to know more clearly the complexity of the project and ultimately leads us to speak about issues that we consider relevant in relation to the way of proceeding to do architecture.Keywords: architecture, creativity, project. Este artículo reflexiona acerca del proceso del proyecto de arquitectura. Para ello se parte del entendimiento de éste como un proceso creativo, que nos lleva a entender la acción de proyectar no como una acción mecánica que nos conduce a la resolución de un problema, sino como un proceso especulativo y de construcción de pensamiento propio. Pensamiento y creación se hallan íntimamente relacionados en todo proceso de proyecto y, aunque la arquitectura se materializa a través de sistemas constructivos y materiales, sólo es posible concebirla mediante la construcción de pensamiento. Para ello es necesario por un lado, el conocimiento de pautas, reglas y principios objetivables, propios de la disciplina arquitectónica, pero por otro lado, necesita, al igual que todo acto creativo, desenvolverse en relación dialéctica con otro tipo de material que no es específico de esta disciplina y que forma parte de un mundo personal, fruto de nuestra experiencia en el mundo, en el cual el proyecto de arquitectura encuentra en la mayoría de las ocasiones su base o debe toda su riqueza. Ambos factores adquieren la misma y determinante importancia en el desarrollo del proyecto. Sin embargo, son los aspectos más objetivos, racionales y fácilmente transmisibles lo que se convierten, en la mayoría de las veces, en el centro de atención, olvidando o dejando a un lado esa componente altamente subjetiva que éste posee. Es, por tanto, este aspecto del proyecto arquitectónico el que se convierte en objeto de estudio en el desarrollo de este artículo. Este tiene como objetivo desvelar el proceso creativo del proyecto de arquitectura, de modo que nos permita conocer con mayor claridad la complejidad que éste encierra y nos lleve, en último término, a pronunciarnos acerca de cuestiones que consideramos relevantes en relación al modo de proceder al hacer arquitectura. Palabras clave: arquitectura, creatividad, proyecto. Unisinos 2016-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2016.122.01 10.4013/arq.2016.122.01 Arquitetura Revista; v. 12 n. 2 (2016): Jul-Dez; 125-139 1808-5741 spa https://revistas.unisinos.br/index.php/arquitetura/article/view/arq.2016.122.01/5829 |