LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
The purpose of this work is to demonstrate that Live Art can be applied as a Model or Methodof Analysis to do science, from the interpretation of the testimony of the building, the street,the square or the neighborhood and its historical relationship with the function systemic ofthe components of th...
Bewaard in:
| Hoofdauteurs: | , , |
|---|---|
| Formaat: | Online |
| Taal: | spa |
| Gepubliceerd in: |
Benemérita Universidad Autónoma de Puebla
2020
|
| Online toegang: | https://69.164.202.149/topofilia/index.php/topofilia/article/view/109 |
| Tags: |
Voeg label toe
Geen labels, Wees de eerste die dit record labelt!
|
| Samenvatting: | The purpose of this work is to demonstrate that Live Art can be applied as a Model or Methodof Analysis to do science, from the interpretation of the testimony of the building, the street,the square or the neighborhood and its historical relationship with the function systemic ofthe components of the territory. It is considered as applied research. Live Art can be built asa learning strategy in cognitive processes; where specific procedures, criteria and skills mustbe used to know, understand and attend to scientific problems related to the field ofarchitecture, urbanism and the environment. The method that guides Live Art is based onfunctional structural systemic analysis; intended to model the object as a system, for whichthe components, structure, principle of hierarchy and functional relationships must be
determined. Thus, Living Art is considered as a method of in situ study of the interactionbetween the site and its surroundings, with its own reading, where the ecological andenvironmental factors that gave rise to these experiences converge in a decisive way. |
|---|