LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT

The purpose of this work is to demonstrate that Live Art can be applied as a Model or Methodof Analysis to do science, from the interpretation of the testimony of the building, the street,the square or the neighborhood and its historical relationship with the function systemic ofthe components of th...

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Glavni autori: Ayala Baldenegro, Leonardo, Ayala Rodríguez, Leonardo, Roldán López, Horacio
Format: Online
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Izdano: Benemérita Universidad Autónoma de Puebla 2020
Online pristup:https://69.164.202.149/topofilia/index.php/topofilia/article/view/109
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spelling oai:ojs2.69.164.202.149:article-1092020-10-01T18:22:34Z LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT EL ARTE VIVO: UNA MANERA DE HACER INVESTIGACIÓN EN ARQUITECTURA, URBANISMO Y MEDIO AMBIENTE Ayala Baldenegro, Leonardo Ayala Rodríguez, Leonardo Roldán López, Horacio Live art Delation Systems Arte vivo Delación Sistemas The purpose of this work is to demonstrate that Live Art can be applied as a Model or Methodof Analysis to do science, from the interpretation of the testimony of the building, the street,the square or the neighborhood and its historical relationship with the function systemic ofthe components of the territory. It is considered as applied research. Live Art can be built asa learning strategy in cognitive processes; where specific procedures, criteria and skills mustbe used to know, understand and attend to scientific problems related to the field ofarchitecture, urbanism and the environment. The method that guides Live Art is based onfunctional structural systemic analysis; intended to model the object as a system, for whichthe components, structure, principle of hierarchy and functional relationships must be determined. Thus, Living Art is considered as a method of in situ study of the interactionbetween the site and its surroundings, with its own reading, where the ecological andenvironmental factors that gave rise to these experiences converge in a decisive way. El presente trabajo tiene como fin demostrar que el Arte Vivo puede aplicarse como unModelo o Método de Análisis para hacer ciencia, a partir de la interpretación del testimoniode edificio, de la calle, la plaza o del barrio y su relación histórica con el funcionamientosistémico de los componentes del territorio. Se considera como investigación aplicada. ElArte Vivo, se puede construir como una estrategia de aprendizaje en los procesos cognitivos;donde se han de utilizar procedimientos, habilidades y destrezas específicas para conocer,entender y atender problemas de carácter científico relativos al campo de la arquitectura, elurbanismo y medio ambiente. El método que orienta al Arte Vivo se sustenta en el análisissistémico estructural funcional; destinado a modelar el objeto como un sistema, para el cualse deben determinar los componentes, la estructura, el principio de jerarquía y las relacionesfuncionales. Así, el Arte Vivo se convierte en un método de estudio in situ de la interacciónentre el sitio y su entorno, con su propia lectura, donde confluyen de manera determinantelos factores ecológicos y ambientales que dieron origen a estas vivencias. Benemérita Universidad Autónoma de Puebla 2020-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://69.164.202.149/topofilia/index.php/topofilia/article/view/109 Topofilia; No 21: TOWARDS NEW NORMALITIES IN NEW PLACES FOR DEBATE; 210-219 TOPOFILIA, Revista Científica de Arquitectura, Urbanismo y Territorios; Núm. 21: HACIA NUEVAS NORMALIDADES EN NUEVOS LUGARES A DEBATE; 210-219 2594-0635 spa https://69.164.202.149/topofilia/index.php/topofilia/article/view/109/114 Derechos de autor 2020 Leonardo Ayala Baldenegro, Leonardo Ayala Rodríguez, Horacio Roldán López https://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Autónoma de Puebla
collection OJS
language spa
format Online
author Ayala Baldenegro, Leonardo
Ayala Rodríguez, Leonardo
Roldán López, Horacio
spellingShingle Ayala Baldenegro, Leonardo
Ayala Rodríguez, Leonardo
Roldán López, Horacio
LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
author_facet Ayala Baldenegro, Leonardo
Ayala Rodríguez, Leonardo
Roldán López, Horacio
author_sort Ayala Baldenegro, Leonardo
title LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
title_short LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
title_full LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
title_fullStr LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
title_full_unstemmed LIVE ART: A WAY TO DO RESEARCH IN ARCHITECTURE, URBANISM AND THE ENVIRONMENT
title_sort live art: a way to do research in architecture, urbanism and the environment
description The purpose of this work is to demonstrate that Live Art can be applied as a Model or Methodof Analysis to do science, from the interpretation of the testimony of the building, the street,the square or the neighborhood and its historical relationship with the function systemic ofthe components of the territory. It is considered as applied research. Live Art can be built asa learning strategy in cognitive processes; where specific procedures, criteria and skills mustbe used to know, understand and attend to scientific problems related to the field ofarchitecture, urbanism and the environment. The method that guides Live Art is based onfunctional structural systemic analysis; intended to model the object as a system, for whichthe components, structure, principle of hierarchy and functional relationships must be determined. Thus, Living Art is considered as a method of in situ study of the interactionbetween the site and its surroundings, with its own reading, where the ecological andenvironmental factors that gave rise to these experiences converge in a decisive way.
publisher Benemérita Universidad Autónoma de Puebla
publishDate 2020
url https://69.164.202.149/topofilia/index.php/topofilia/article/view/109
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