The Plan as Eidos: Bramante’s Half-Drawing and Durand’s Marche
ABSTRACTBy confronting Bramante’s plan for St Peter Basilica (1503) with Durand’s “Method of Composition” - summarized in his Marche plate (1802) - a modern conceptualisation of the plan unfolds which can be explained through the philosophical notion of eidos: the Greek term for “idea”, “form” and “...
Gorde:
| Egile nagusia: | Celedón, Alejandra |
|---|---|
| Formatua: | Online |
| Hizkuntza: | spa |
| Argitaratua: |
Universidad de Costa Rica
2014
|
| Sarrera elektronikoa: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/16959 |
| Etiketak: |
Etiketa erantsi
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
|
Antzeko izenburuak
-
The Sense of Drawing. Drawing, Designing, Building: Indistinguishable Tasks
nork: Montiel Zacarías, Marco
Argitaratua: (2020) -
The other half of Quinta Monroy
nork: Millones Segovia, Yessenia
Argitaratua: (2017) -
Drawing to understand and remember: the portuguese architecture in the hand drawing of Lucio Costa
nork: Pessôa, José Simões
Argitaratua: (2018) -
Half a century of social housing in Cuba
nork: González Couret, Dania
Argitaratua: (2009) -
AS THE DAWN DRAWS EVER NEARER
nork: Schlör, Joachim
Argitaratua: (2016)