The Plan as Eidos: Bramante’s Half-Drawing and Durand’s Marche
ABSTRACTBy confronting Bramante’s plan for St Peter Basilica (1503) with Durand’s “Method of Composition” - summarized in his Marche plate (1802) - a modern conceptualisation of the plan unfolds which can be explained through the philosophical notion of eidos: the Greek term for “idea”, “form” and “...
Kaydedildi:
Yazar: | Celedón, Alejandra |
---|---|
Materyal Türü: | Online |
Dil: | spa |
Baskı/Yayın Bilgisi: |
Universidad de Costa Rica
2014
|
Online Erişim: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/16959 |
Etiketler: |
Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
|
Benzer Materyaller
-
The Sense of Drawing. Drawing, Designing, Building: Indistinguishable Tasks
Yazar:: Montiel Zacarías, Marco
Baskı/Yayın Bilgisi: (2020) -
The other half of Quinta Monroy
Yazar:: Millones Segovia, Yessenia
Baskı/Yayın Bilgisi: (2017) -
Drawing to understand and remember: the portuguese architecture in the hand drawing of Lucio Costa
Yazar:: Pessôa, José Simões
Baskı/Yayın Bilgisi: (2018) -
Half a century of social housing in Cuba
Yazar:: González Couret, Dania
Baskı/Yayın Bilgisi: (2009) -
AS THE DAWN DRAWS EVER NEARER
Yazar:: Schlör, Joachim
Baskı/Yayın Bilgisi: (2016)