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This work tries to stablish a stage design definition as exclusive of the scenic environment planning of theatre activity. We verify the existence of a double space, part of it physical and efficient and part an immaginary product of complicity. Through scenic action significative elements analysis...
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| Главный автор: | |
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| Формат: | Online |
| Язык: | por |
| Опубликовано: |
Universidade de São Paulo. Faculdade de Arquitetura e Urbanismo.
1995
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| Online-ссылка: | https://www.revistas.usp.br/posfau/article/view/137090 |
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| Итог: | This work tries to stablish a stage design definition as exclusive of the scenic environment planning of theatre activity. We verify the existence of a double space, part of it physical and efficient and part an immaginary product of complicity. Through scenic action significative elements analysis we can stablish a stage-public relationship, in an immaginary field. Then w e verify in which way this kind of environment intervenes into physical space, both urban or inside a building. In the sequence we describe a dramatic intervention (just promoted by color lighting) into an architectural place known by the public, and the public reaction facing it |
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