De Werther a Johannes: la estetización de la vida
That which art historiography named Romanticism consisted in manifold heterogeneous movements that have spread since the mid-18th century. To characterize these commonly called romantic movements, this essay sets the timeline to a period between the publication of two novels written in the first per...
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| Autor principal: | |
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| Formato: | Online |
| Idioma: | por |
| Publicado em: |
Universidade de São Paulo. Faculdade de Arquitetura e Urbanismo.
2008
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| Acesso em linha: | https://www.revistas.usp.br/posfau/article/view/43588 |
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| Resumo: | That which art historiography named Romanticism consisted in manifold heterogeneous movements that have spread since the mid-18th century. To characterize these commonly called romantic movements, this essay sets the timeline to a period between the publication of two novels written in the first person of the singular and in the form of a diary: Werther and Diary of a seducer. If, in Goethe, passion consumes the main character, seduction in Kierkegaard's text is only artifice and calculation. Although neither a coherent artistic program nor a characteristic lyric or figurative norm is consolidated in this period, a peculiar sensibility permeates artistic poetics. It is supposed then that the work of art is corollary or emanation of a life, itself artistic, and comprehensive and minute aesthetics of existence take place. |
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