Estilo desornamentado, plain-style architecture: some aspects of the renaissance in the Iberian Peninsula
In the sixteenth century, in the Iberian Peninsula, the assimilation of the romano gives impulse to an architectural stream in which a progressive classicism and the decorative nudity announce the arrival of the so-called Renaissance. Despite their peculiarities, the Portuguese plain-style and the S...
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| Príomhúdar: | |
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| Formáid: | Online |
| Teanga: | por |
| Foilsithe: |
Universidade de São Paulo. Faculdade de Arquitetura e Urbanismo.
2011
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| Rochtain Ar Líne: | https://www.revistas.usp.br/posfau/article/view/43745 |
| Clibeanna: |
Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
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| Achoimre: | In the sixteenth century, in the Iberian Peninsula, the assimilation of the romano gives impulse to an architectural stream in which a progressive classicism and the decorative nudity announce the arrival of the so-called Renaissance. Despite their peculiarities, the Portuguese plain-style and the Spanish estilo desornamentado set their basis on architectural doctrines originated in Italy. Brought either by the artifices that have been in such lands - or by its architects invited to work in the Peninsula - or by the architectural treatises imported and, afterwards, translated into Spanish and Portuguese, such doctrines also stimulated the publication of other significant texts of theoretical systematization, such as Sagredo´s Medidas del romano. This article discusses such aspects of the Renaissance in the Iberian Peninsula. |
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