A transgressão do "popular" na década de 60: os Parangolés e a Tropicália de Hélio Oiticica
The essay studies the relationship of the artist Hélio Oiticica with "folk" aspects of Brazilian culture in the years between 1964 and 1968, as expressed in some of his texts and art works. Often despised as archaic or idealized as folklore, the images of "people" in Brazil have...
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| 第一著者: | |
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| フォーマット: | Online |
| 言語: | por |
| 出版事項: |
Universidade de São Paulo. Instituto de Arquitetura e Urbanismo
2006
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| オンライン･アクセス: | https://www.revistas.usp.br/risco/article/view/44659 |
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