El sujeto contemplativo: Evento y sujeto en las animaciones en arquitectura
In the field of architectural representation, film constitutes an important resource since it expresses the lived dimensions of a space. Cinematic space makes sense only in the context of the subject’s experiencing of events. This paper contends that visualizations of architecture emphasize the obje...
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| Autor principal: | |
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| Formato: | Online |
| Idioma: | eng |
| Publicado em: |
Universidade de São Paulo. Instituto de Arquitetura e Urbanismo
2012
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| Acesso em linha: | https://www.revistas.usp.br/risco/article/view/49026 |
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| Resumo: | In the field of architectural representation, film constitutes an important resource since it expresses the lived dimensions of a space. Cinematic space makes sense only in the context of the subject’s experiencing of events. This paper contends that visualizations of architecture emphasize the object/building, striping space of the subjects of everyday’s practices. The paper discusses the nature of the subject, and the event in film theory, and architecture in order to analyze an awarded example of an architectural animation, Alex Roman’s “The Third and the Seventh.” |
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