SOMETHING TO TALK ABOUT. Modernism, Discourse, Style
The article begins with the claim that a series of buildings, texts, and exhibitions built a false image of the modern in architecture which has lead to conceive it as a Style. There are three core themes in the article: first, the reconstruction of this stylistic conception –sponsored by the heirs...
में बचाया:
| मुख्य लेखकों: | , |
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| स्वरूप: | Online |
| भाषा: | spa |
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Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio
2008
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| ऑनलाइन पहुंच: | https://revistas.unal.edu.co/index.php/bitacora/article/view/18607 |
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oai:www.revistas.unal.edu.co:article-18607 |
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Universidad Nacional de Colombia |
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spa |
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Online |
| author |
Williams Goldhagen, Sarah Rodríguez Gómez, Juan Luis |
| spellingShingle |
Williams Goldhagen, Sarah Rodríguez Gómez, Juan Luis SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
| author_facet |
Williams Goldhagen, Sarah Rodríguez Gómez, Juan Luis |
| author_sort |
Williams Goldhagen, Sarah |
| title |
SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
| title_short |
SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
| title_full |
SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
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SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
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SOMETHING TO TALK ABOUT. Modernism, Discourse, Style |
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something to talk about. modernism, discourse, style |
| description |
The article begins with the claim that a series of buildings, texts, and exhibitions built a false image of the modern in architecture which has lead to conceive it as a Style. There are three core themes in the article: first, the reconstruction of this stylistic conception –sponsored by the heirs of Heinrich Wölffing´s ideas on the history of art; second, its theoretical and practical drawbacks, and third, a closing alternative claim proposing a new approach to modernism as a Discourse in itself. That is, modernism not as the result of a discourse but is a debate between different architectural practices and formal conceptions articulated against the backdrop of modernity. Moreover, it claims that modernism in architecture is an ongoing conversation between architecture and society over the possibility of anticipating a better world. The concept of Discourse has been drawn from the social sciences, specially what Jürgen Habermas calls communicative action; and yet, it relies on the findings and intuitions of several generations of architectural research, which have made it possible to conceive the modern as a discourse. The idea of modernism is also drawn from other disciplines: from Emil Durkheim’s sociology where modernism is part of the trilogy modernity-modern-modernism; and from the history of art where modernism is linked to a wide range of categories, including different styles, movements, genres, and means. |
| publisher |
Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio |
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2008 |
| url |
https://revistas.unal.edu.co/index.php/bitacora/article/view/18607 |
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1709546656048873472 |
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oai:www.revistas.unal.edu.co:article-186072021-02-10T15:41:33Z SOMETHING TO TALK ABOUT. Modernism, Discourse, Style Algo de qué hablar. Modernismo, Discurso, Estilo Williams Goldhagen, Sarah Rodríguez Gómez, Juan Luis Modernism Modernity Style Debate Multidimensional discourse El artículo establece como tesis de partida que a partir de una serie de edificios textos y exposiciones se construyó una imagen engañosa de lo moderno en arquitectura que ha llevado a concebirlo como un Estilo. La temática central del artículo la cons The article begins with the claim that a series of buildings, texts, and exhibitions built a false image of the modern in architecture which has lead to conceive it as a Style. There are three core themes in the article: first, the reconstruction of this stylistic conception –sponsored by the heirs of Heinrich Wölffing´s ideas on the history of art; second, its theoretical and practical drawbacks, and third, a closing alternative claim proposing a new approach to modernism as a Discourse in itself. That is, modernism not as the result of a discourse but is a debate between different architectural practices and formal conceptions articulated against the backdrop of modernity. Moreover, it claims that modernism in architecture is an ongoing conversation between architecture and society over the possibility of anticipating a better world. The concept of Discourse has been drawn from the social sciences, specially what Jürgen Habermas calls communicative action; and yet, it relies on the findings and intuitions of several generations of architectural research, which have made it possible to conceive the modern as a discourse. The idea of modernism is also drawn from other disciplines: from Emil Durkheim’s sociology where modernism is part of the trilogy modernity-modern-modernism; and from the history of art where modernism is linked to a wide range of categories, including different styles, movements, genres, and means. El artículo establece como tesis de partida que a partir de una serie de edificios, textos y exposiciones, se construyó una imagen engañosa de lo moderno en arquitectura, que ha llevado a concebirlo como un Estilo. La temática central del artículo la constituyen tres aspectos: primero, la reconstrucción de esta concepción estilística –cuyos responsables son los herederos de la teoría de la historia del arte de Heinrich Wölffing; segundo, sus problemas teóricos y prácticos, y tercero, una propuesta para sustituirla que, como tesis final, propone entender el modernismo como un Discurso en sí mismo; no como el resultado de un discurso sino como un debate entre concepciones y prácticas formales diversas, bajo el proyecto común de afrontar y responder al fenómeno mismo de la modernidad. La tesis considera, además, que el modernismo en arquitectura continúa siendo una conversación en curso entre la arquitectura y la sociedad, sobre la posibilidad de prever un mundo mejor. El concepto de Discurso se ha tomado de las ciencias sociales, en especial de lo que Jürgen Habermas denomina acción comunicativa; reconociendo, sin embargo, que sin las intuiciones y hallazgos de anteriores investigaciones en arquitectura, no sería posible la concepción de lo moderno arquitectónico como discurso. La idea de modernismo también se ha tomado de otras disciplinas: de la sociología de Emil Durkheim, para la cual modernismo hace parte de la trilogía modernidad-modernización-modernismo; y de la historia del arte, en donde modernismo se asocia con una amplia red de categorías definitorias que incluye diferentes estilos, movimientos, géneros y medios. Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio 2008-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pa application/pdf https://revistas.unal.edu.co/index.php/bitacora/article/view/18607 Bitácora Urbano Territorial; Vol. 12 Núm. 1 (2008): La planificación territorial y urbana en América Latina: orígenes, desarrollos y tendencias; 11-42 Bitácora Urbano Territorial; Vol. 12 No. 1 (2008): La planificación territorial y urbana en América Latina: orígenes, desarrollos y tendencias; 11-42 Bitácora Urbano Territorial; v. 12 n. 1 (2008): La planificación territorial y urbana en América Latina: orígenes, desarrollos y tendencias; 11-42 2027-145X 0124-7913 spa https://revistas.unal.edu.co/index.php/bitacora/article/view/18607/19504 Derechos de autor 2008 Bitácora Urbano Territorial https://creativecommons.org/licenses/by/4.0 |