A wall with posters
From décollage concept derives some descriptions about a wall with posters that account for multiple relationships and correlates about the way we experience the city, the urban thing, the body and the knowledge. We discover in that wall, concepts-experiences as the footprint and spacing from Derrid...
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| Príomhúdar: | |
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| Formáid: | Online |
| Teanga: | spa |
| Foilsithe: |
Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio
2018
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| Rochtain Ar Líne: | https://revistas.unal.edu.co/index.php/bitacora/article/view/47108 |
| Clibeanna: |
Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
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| Achoimre: | From décollage concept derives some descriptions about a wall with posters that account for multiple relationships and correlates about the way we experience the city, the urban thing, the body and the knowledge. We discover in that wall, concepts-experiences as the footprint and spacing from Derrida; language games, proposed by Wittgenstein, face us to everyday life and these blurred boundaries persuade us to experience the language from the ordinary; the plot as a synthesis of the heterogeneous by Ricoeur and poiesis reconfigures and continues the story. From image-concept knitting, habitat and inhabit, we across those patchwork from everyday life proposed by de Certeau, until get a postponed place of intimacy suggested by Pardo. |
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