The lost steps and abandoned houses: “The rose seller”
From Victor Gaviria ́s conception about his work which he has called “realism with witnesses”, to the discovery of a unique ethos that has been carried to recognize himself “as a snail that is leaving its home everywhere”. From the opening scene of The rose seller in which we see La Iguaná neighbo...
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| Autor principal: | |
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| Format: | Online |
| Idioma: | spa |
| Publicat: |
Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio
2018
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| Accés en línia: | https://revistas.unal.edu.co/index.php/bitacora/article/view/52101 |
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