Dance and attachment to public space. The case of the Quinta Normal Station

Dance and attachment to public space. The case of the Quinta Normal Station

The rhythms of the postmodern era have marked the existence of fast and functional cities that operate in unstoppable flows of movement. In this context, public flow spaces such as transport stations, airports, and others have been classified as a kind of non-place. This article presents the case of...

Ful tanımlama

Kaydedildi:
Detaylı Bibliyografya
Yazar: Sandoval Luna, Alejandra del Rocío
Materyal Türü: Online
Dil:spa
Baskı/Yayın Bilgisi: Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio 2021
Online Erişim:https://revistas.unal.edu.co/index.php/bitacora/article/view/87803
Etiketler: Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
id oai:www.revistas.unal.edu.co:article-87803
record_format ojs
institution Universidad Nacional de Colombia
collection OJS
language spa
format Online
author Sandoval Luna, Alejandra del Rocío
spellingShingle Sandoval Luna, Alejandra del Rocío
Dance and attachment to public space. The case of the Quinta Normal Station
author_facet Sandoval Luna, Alejandra del Rocío
author_sort Sandoval Luna, Alejandra del Rocío
title Dance and attachment to public space. The case of the Quinta Normal Station
title_short Dance and attachment to public space. The case of the Quinta Normal Station
title_full Dance and attachment to public space. The case of the Quinta Normal Station
title_fullStr Dance and attachment to public space. The case of the Quinta Normal Station
title_full_unstemmed Dance and attachment to public space. The case of the Quinta Normal Station
title_sort dance and attachment to public space. the case of the quinta normal station
description The rhythms of the postmodern era have marked the existence of fast and functional cities that operate in unstoppable flows of movement. In this context, public flow spaces such as transport stations, airports, and others have been classified as a kind of non-place. This article presents the case of the Quinta Normal subway station, which went from being a non-place to a meaningful and appropriate place through dance. By observing, capturing photographic images, and conducting seven focus groups, the information regarding the existence of attachment to the station, its significance, and the socio-spatial aspects relevant to a group of young people who dance in its interior. The results show that there is an attachment to the station and that joy and happiness are the most representative emotions related to it, which is closely influenced by the community dynamics that arise from the practice of dance in this public space. Likewise, it is revealed that the station's spatial characteristics generate an adequate locus for the practice of dance, even when this function was not planned.
publisher Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio
publishDate 2021
url https://revistas.unal.edu.co/index.php/bitacora/article/view/87803
work_keys_str_mv AT sandovallunaalejandradelrocio danceandattachmenttopublicspacethecaseofthequintanormalstation
AT sandovallunaalejandradelrocio baileyapegoallugarpublicoelcasodelaestaciondemetroquintanormal
AT sandovallunaalejandradelrocio danseetattachealespacepubliclecasdelaquintanormalstation
AT sandovallunaalejandradelrocio dancaeapegoaoespacopublicoocasodaestacaoquintanormal
_version_ 1709546735341142016
spelling oai:www.revistas.unal.edu.co:article-878032021-07-26T23:04:42Z Dance and attachment to public space. The case of the Quinta Normal Station Baile y apego al lugar público. El caso de la Estación de metro Quinta Normal Danse et attache à l'espace public. Le cas de la Quinta Normal Station Dança e apego ao espaço público. O caso da Estação Quinta Normal Sandoval Luna, Alejandra del Rocío espacio urbano danza afectividad infraestructura de transporte urbanismo diseño urbano espacio y sociedad ciencias sociales geografía humana psicología ambiental arquitectura urban spaces dance emotions transport infrastructure planning urban design space and society social sciences human geography environmental psychology architecture espace urbain danse affectivité infrastructure des transports urbanisme design urbain espace et société sciences sociales géographie humaine psychologie environnementale architecture espaço urbano dança afetividade infraestrutura de transportes urbanismo design urbano espaço e sociedade ciências sociais geografia humana psicologia ambiental arquitetura The rhythms of the postmodern era have marked the existence of fast and functional cities that operate in unstoppable flows of movement. In this context, public flow spaces such as transport stations, airports, and others have been classified as a kind of non-place. This article presents the case of the Quinta Normal subway station, which went from being a non-place to a meaningful and appropriate place through dance. By observing, capturing photographic images, and conducting seven focus groups, the information regarding the existence of attachment to the station, its significance, and the socio-spatial aspects relevant to a group of young people who dance in its interior. The results show that there is an attachment to the station and that joy and happiness are the most representative emotions related to it, which is closely influenced by the community dynamics that arise from the practice of dance in this public space. Likewise, it is revealed that the station's spatial characteristics generate an adequate locus for the practice of dance, even when this function was not planned. Los ritmos de la era post moderna han marcado la existencia de ciudades rápidas y funcionales que se desenvuelven en imparables flujos de movimiento.  En este contexto, los espacios públicos de flujo como estaciones de transporte, aeropuertos y otros, han sido catalogados como una especie de no lugares.  Este artículo presenta el caso de la estación de metro Quinta Normal, la cual pasó de ser aquello considerado como un no lugar a un lugar significado y apropiado a través del baile. Mediante la observación, la captura de imágenes y la realización de siete grupos focales, se recoge y analiza la información referente a la existencia de apego a la estación, su significación y los aspectos socio-espaciales relevantes para un grupo de jóvenes que bailan en su interior.  Los resultados muestran que la alegría y la felicidad son las emociones más representativas relacionadas con la existencia de apego, lo cual está estrechamente incidido por las dinámicas comunitarias que surgen desde la práctica del baile en este espacio público.  Asimismo, se releva que las características espaciales de la estación generan un locus adecuado para la práctica del baile, aun cuando dicha funcionalidad no hubiese sido planificada. Les rythmes de l'ère post-moderne ont marqué l'existence de villes rapides et fonctionnelles qui opèrent dans des flux de mouvement imparables. Dans ce contexte, les espaces de circulation publique tels que les stations de transport, les aéroports et autres ont été classés comme une sorte de non-lieu. Cet article présente le cas de la station de métro Quinta Normal, qui est passée d'un non-lieu à un lieu significatif et approprié grâce à la danse. Par l'observation, la capture d'images photographiques et la performance de sept groupes de discussion, cette étude collecte et analyse les informations concernant l'existence de l'attachement à la station, sa signification et les aspects socio-spatiaux pertinents pour un groupe de jeunes qui dansent son intérieur. Les résultats montrent qu'il y a un attachement à la station et que la joie et le bonheur sont les émotions les plus représentatives qui lui sont liées, qui sont étroitement influencées par la dynamique communautaire qui naît de la pratique de la danse dans cet espace public. De même, il est révélé que les caractéristiques spatiales de la station génèrent un lieu adéquat pour la pratique de la danse, même lorsque cela n'était pas prévu. Os ritmos da era pós-moderna marcaram a existência de cidades rápidas e funcionais que operam em fluxos de movimento incontroláveis. Nesse contexto, os espaços públicos de circulação, como estações de transporte, aeroportos e outros, foram classificados como um tipo de não lugar. Este artigo apresenta o caso da estação de metrô Quinta Normal, que deixou de ser um não lugar para um lugar significativo e apropriado por meio da dança. Usando da observação, da captura de imagens e sete grupos focais, se recopila e se estuda das informações sobre a existência de ligação com a estação, seu significado e os aspectos socioespaciais relevantes para um grupo de jovens que dançam em seu interior. Alegria e a felicidade são as emoções mais representativas que mostram um apego à estação e são fortemente influenciadas pela dinâmica da comunidade que surge da prática da dança nesse espaço público. Da mesma forma, revela-se que as características espaciais da estação geram um locus adequado para a prática da dança, mesmo quando isso não foi planejado. Universidad Nacional de Colombia - Sede Bogotá - Facultad de Artes - Instituto de Investigaciones Hábitat, Ciudad & Territorio 2021-07-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pa Artículo de investigación científica Scientific research article Artigo de pesquisa científica Article de recherche scientifique application/pdf https://revistas.unal.edu.co/index.php/bitacora/article/view/87803 10.15446/bitacora.v31n3.87803 Bitácora Urbano Territorial; Vol. 31 Núm. 3 (2021): Número Misceláneo Bitácora Urbano Territorial; Vol. 31 No. 3 (2021): Número Misceláneo Bitácora Urbano Territorial; v. 31 n. 3 (2021): Número Misceláneo 2027-145X 0124-7913 spa https://revistas.unal.edu.co/index.php/bitacora/article/view/87803/80310 /*ref*/Antonsich, M. (2010). Meanings of place and aspects of the Self: An interdisciplinary and empirical account. GeoJournal, 75(1), 119–132. https://doi.org/10.1007/s10708-009-9290-9 Augé, M. (1994). Los no lugares: espacios del anonimato. Gedisa. Baines, L. (mayo 2016). Dance, Embodiment, and Cultural Ecology: The Reflexive Relationship Between Bodies and Space. Congress on Research in Dance Conference Proceedings. https://doi.org/10.1017/cor.2016.1 Bauman, Z. (2006). Vida Líquida. Paidós Ibérica. Cano, O. (2012). Mercancía y Hogar: La Casa Como No Lugar. AIBR: Revista de Antropología Iberoamericana, 7(1), 99–119. https://dialnet.unirioja.es/servlet/articulo?codigo=4849599 Castañon, M. R. (2001). La Danza en la Musicoterapia. Revista Electrónica Interuniversitaria de Formación del Profesorado, 2001(42), 77–90. https://www.redalyc.org/pdf/274/27404207.pdf Cresswell. (2004). Place: A Short Introduction. Blackwell Pub. Damasio, A. (2004). Looking for Spinoza. Vintage. Devine-Wright, P., Smith, J., & Batel, S. (2018). “Positive parochialism”, local belonging and ecological concerns: Revisiting Common Ground’s Parish Maps project. Transactions of the Institute of British Geographers, 1–15. https://doi.org/10.1111/tran.12282 Di Masso, A., Williams, D. R., Raymond, C. M., Buchecker, M., Degenhardt, B., Devine-wright, P., Hertzog, A., Lewicka, M., Manzo, L., Shahrad, A., Stedman, R., Verbrugge, L., & Wirth, T. Von. (2019). Between fixities and flows: Navigating place attachments in an increasingly mobile world. Journal of Environmental Psychology, 61, 125–133. https://doi.org/10.1016/j.jenvp.2019.01.006 Hidalgo, M. C., & Hernández, B. (2001). Place Attachment: Conceptual and Empirical Questions. Journal of Environmental Psychology, 21(3), 273–281. https://doi.org/10.1006/jevp.2001.0221 Lewicka, M. (2011). Place attachment: How far have we come in the last 40 years? Journal of Environmental Psychology, 31(3), 207–230. https://doi.org/10.1016/j.jenvp.2010.10.001 Lindón, A. (2015). Del cronotopo fundacional a la construcción socio-espacial del territorio vallechalquense. En C. Lindón, A Mendoza (Eds.), La periferia metropolitana: entre la ciudad prometida y un lugar para vivir en la ciudad de México (pp. 115–150). Gedisa Mexicana. Lindón, A. (2012). Corporalidades, emociones y espacialidades: hacia un renovado betweenness. Revista Brasileira de Sociología da Emoção, 11(33), 698–723. Lindón, Alicia. (2017). La ciudad movimiento: afectividades corporizadas y redes topológicas. Inmediaciones, 12. https://www.cchla.ufpb.br/rbse/AliciaLindonDos.pdf Low, S. & Altman, I. (1992). Place Attachment. A conceptual inquiry. En Low, S. & Altman I. (Eds.), Place Attachment (pp. 1–12). Plenum Press. Manzo, L., & Devine-Wright, P. (Eds.). (2014). Place Attachment: Advances in Theory, Methods and Applications. Routledge. Matovic, M., & San Salvador-del Valle, R. (2019). Cultura, creatividad y gobernanza internacional. Bitácora Urbano Territorial, 30(1), 39–49. https://doi.org/https://doi. org/10.15446/bitacora.v30n1.62995 Melo, C. C. D., Costa, V. T. D., Boletini, T. L., Freitas, V. G. D., Costa, I. T. D., Arreguy, A. V., & Noce, F. (2017). A Influência doTempo de Prática de Dança de Salão nos Níveis de Depressão de Idosos. Revista de Psicología del Deporte, 27(4), 67–73. https://psycnet.apa.org/record/2018-28945-009 Páramo, P., & Burbano, A. (2012). Sociolugares: en el límite entre lo público y lo privado. Avances en Psicología Latinoamericana, 30(2), 272–286. https://revistas.urosario.edu.co/index.php/apl/article/view/1574 Páramo, P., & Burbano, A. (2014). Los usos y la apropiación del espacio público para el fortalecimiento de la democracia. Revista Arquitectura, 16, 8–11. https://revistadearquitectura.ucatolica.edu.co/article/view/51 Relph, E. (1976). Place and Placelessness. Pion. Sáez, M. L., & Merlos, L. B. (2016). Arte y ciudad. Experiencias de danza en el espacio urbano. European Review of Artistic Studies, 7(3), 65–93. https://core.ac.uk/download/pdf/301074705.pdf Scannell, L., & Gifford, R. (2010). Defining place attachment: A tripartite organizing framework. Journal of Environmental Psychology, 30(1), 1–10. https://doi.org/10.1016/j.jenvp.2009.09.006 Scannell, L., & Gifford, R. (2017). The experienced psychological benefits of place attachment. Journal of Environmental Psychology, 51, 256–269. https://doi.org/10.1016/j.jenvp.2017.04.001 Simonsen, K. (2007). Practice, spatiality and embodied emotions: A outline of a geography of practice. Human Affairs, 17, 168–181. https://www.degruyter.com/document/doi/10.2478/v10023-007-0015-8/html Tuan, Y.-F. (1974). Topophilia: a study of environmental perception, attitudes, and values. Prentice-Hall. Vidal, T., & Pol, E. (2005). La apropiación del espacio: una propuesta teórica para comprender la vinculación entre las personas y los lugares. Anuario de Psicología, 36, 281–297. https://raco.cat/index.php/AnuarioPsicologia/article/view/61819 Williams, J. L. (2019). (Re-) Defining Dance/Movement Therapy Fifty Years Hence. American Journal of Dance Therapy, 41(2), 273–285. https://doi.org/10.1007/s10465-019-09295-6 95-6 Derechos de autor 2021 Bitácora Urbano Territorial https://creativecommons.org/licenses/by/4.0

Benzer Materyaller