Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue
This article analyses how the link between image and word was a basis for the production of aesthetic arguments between the Colombian writer Rafael Pombo and the Mexican painter Felipe Santiago Gutiérrez. This was the case when the later visited Bogotá between 1873 and 1875 in order to found the Vás...
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Universidad de Boyacá
2017
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| Online Erişim: | https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/254 |
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ojs-article-2542019-04-02T05:06:08Z Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue Felipe Santiago Gutiérrez visita Bogotá por invitación de Rafael Pombo para fundar la academia Vázquez: una teoría femenina de la producción artística como producto del diálogo interatlántico Fino Gómez, Carlos Orlando Rafael Pombo Felipe Santiago Gutiérrez Modernism Vásquez Academy Latin American aesthetics Rafael Pombo Felipe Santiago Gutiérrez Modernismo Estética latinoamericana Academia Vásquez This article analyses how the link between image and word was a basis for the production of aesthetic arguments between the Colombian writer Rafael Pombo and the Mexican painter Felipe Santiago Gutiérrez. This was the case when the later visited Bogotá between 1873 and 1875 in order to found the Vásquez Academy. Pombo’s feminine theory of artistic production is grounded on two historical facts: the foundation of the first Colombian female academy by Gutiérrez, and the painter’s artistic work, which drawn upon both the emerging European impressionism and a Latin American awareness coinciding with what recognizable in José Marti’s thought since 1875. These two sources are reflected in a couple of examples studied here (“Portrait of José María Espinoza” and “The Hunter of the Andes”). The present work aims to demonstrate that the aforementioned theory emerged from the dialogue image-text and text-artistic creation, feeding the aesthetic discussion on the relationship between humans and nature. In the particular case considered here, this association arose as a proposal related to the search for an order of the world in the foundational ideas of the American republics. El presente texto investiga la relación imagen-palabra como productora de argumentos estéticos entre el escritor colombiano Rafael Pombo y el pintor mexicano Felipe Santiago Gutiérrez, cuando este último visita Bogotá entre 1873 y 1875 con la misión de fundar la Academia Vásquez. La teoría femenina de la producción artística de Pombo se sustenta en dos hechos históricos: la fundación de una academia para mujeres por parte de Gutiérrez, primera de este carácter en Colombia; y la obra artística del mexicano, que de un lado se alimentó del naciente impresionismo europeo, pero de otro, por una conciencia latinoamericanista que coincidía con las posturas martianas visibles desde 1875, tal como se sintetiza en un par de ejemplos, el “Retrato de José María Espinosa” y “La Cazadora de Los Andes”, que aquí son estudiados. La investigación se dedica a reconstruir esta contrapunteada línea argumental. Se busca demostrar que dicha teoría emerge del diálogo imagen-texto, texto-acción artística (la fundación de la Academia para mujeres), y alimenta la discusión estética sobre la relación hombre-naturaleza que, en este caso particular, surge como propuesta incluida en la búsqueda de un orden homeopático de mundo en la conciencia de la fundación de las repúblicas americanas. Universidad de Boyacá 2017-07-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/254 10.24267/22564004.254 Designia; Vol. 5 No. 1 (2017): Revista Designia | Julio - Diciembre 2017; 8-28 Designia; Vol. 5 Núm. 1 (2017): Revista Designia | Julio - Diciembre 2017; 8-28 2539-147X 2256-4004 spa https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/254/371 Derechos de autor 2018 Designia |
| institution |
Universidad de Boyacá |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Fino Gómez, Carlos Orlando |
| spellingShingle |
Fino Gómez, Carlos Orlando Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| author_facet |
Fino Gómez, Carlos Orlando |
| author_sort |
Fino Gómez, Carlos Orlando |
| title |
Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| title_short |
Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| title_full |
Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| title_fullStr |
Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| title_full_unstemmed |
Felipe Santiago Gutiérrez visits Bogotá accepting Rafael Pombo’s invitation to found the Vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| title_sort |
felipe santiago gutiérrez visits bogotá accepting rafael pombo’s invitation to found the vázquez academy: a feminine theory of artistic production as a product of inter-atlantic dialogue |
| description |
This article analyses how the link between image and word was a basis for the production of aesthetic arguments between the Colombian writer Rafael Pombo and the Mexican painter Felipe Santiago Gutiérrez. This was the case when the later visited Bogotá between 1873 and 1875 in order to found the Vásquez Academy. Pombo’s feminine theory of artistic production is grounded on two historical facts: the foundation of the first Colombian female academy by Gutiérrez, and the painter’s artistic work, which drawn upon both the emerging European impressionism and a Latin American awareness coinciding with what recognizable in José Marti’s thought since 1875. These two sources are reflected in a couple of examples studied here (“Portrait of José María Espinoza” and “The Hunter of the Andes”). The present work aims to demonstrate that the aforementioned theory emerged from the dialogue image-text and text-artistic creation, feeding the aesthetic discussion on the relationship between humans and nature. In the particular case considered here, this association arose as a proposal related to the search for an order of the world in the foundational ideas of the American republics. |
| publisher |
Universidad de Boyacá |
| publishDate |
2017 |
| url |
https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/254 |
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