DIAGRAMANIA
The topic of this article, titled Diagrammania, is chronologically situated at the beginnings of the contemporary era, when the figure of the diagram was placed at the position of the complexity-facing tool par excellence in a globalized world. The phenomenon of Diagrammania, which took place in the...
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Universidad ORT Uruguay
2018
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ojs-article-28472020-07-15T11:22:34Z DIAGRAMANIA Diagramanía Rodríguez, Emiliano Arquitectura contemporánea diagrama método proyectual teoría contemporánea. The topic of this article, titled Diagrammania, is chronologically situated at the beginnings of the contemporary era, when the figure of the diagram was placed at the position of the complexity-facing tool par excellence in a globalized world. The phenomenon of Diagrammania, which took place in the late twentieth century, showed a place of privilege of this figure as it monopolized a great number of headlines in specialized journals, publications of a more theoretical sort and disclosures of projects of renowned studios. This phenomenon,which spanned no more than a decade but spread on a worldwide scale and involved the main protagonists and personalities -both in the theoretical and practical realms- of contemporary architecture, deserves to be studied in-depth. The reach of it also allows us to assume its validity today. To this end, the objective of this work is to provide tools to precisely define the characteristics of the contemporary diagram and to effectively test the importance of its role in the architectural practice, and thus supporting or refuting, the hypothesis of a place of privilege of the diagram in our discipline. El presente artículo, titulado Diagramanía, se ubica cronológicamente en la eclosión de la época contemporánea, dónde la figura del diagrama se posicionó como la herramienta por excelencia con la que afrontar la complejidad del mundo globalizado. El fenómeno de la Diagramanía, que tuviera lugar a fines del siglo XX, evidenció el lugar de privilegio de esta figura, en la cantidad de titulares que acaparó en revistas especializadas, publicaciones de carácter más teórico y divulgaciones de proyectos de renombrados estudios. Dicho fenómeno, cuya duración no fue mayor a una década, pero que tuvo difusión a escala global e involucró a las principales figuras, tanto teóricas como prácticas de la arquitectura contemporánea, amerita un estudio profundo. Nos permite asumir a su vez, su vigencia en la actualidad. A estos efectos, el objetivo de este trabajo es aportar herramientas precisas para la definición del carácter del diagrama contemporáneo, que evidencien el rol del mismo en la práctica arquitectónica; fundamentando o refutando, de esta forma, la hipótesis de un lugar de privilegio en nuestra disciplina. Universidad ORT Uruguay 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.ort.edu.uy/anales-de-investigacion-en-arquitectura/article/view/2847 10.18861/ania.2017.7.0.2847 Anales de Investigación en Arquitectura; Vol. 7 (2017); 25-42 Anales de Investigación en Arquitectura; Vol. 7 (2017); 25-42 Anales de Investigación en Arquitectura; v. 7 (2017); 25-42 2301-1513 2301-1505 10.18861/ania.2017.7.0 spa https://revistas.ort.edu.uy/anales-de-investigacion-en-arquitectura/article/view/2847/2851 Derechos de autor 2018 Anales de Investigación en Arquitectura |
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Universidad ORT Uruguay |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Rodríguez, Emiliano |
| spellingShingle |
Rodríguez, Emiliano DIAGRAMANIA |
| author_facet |
Rodríguez, Emiliano |
| author_sort |
Rodríguez, Emiliano |
| title |
DIAGRAMANIA |
| title_short |
DIAGRAMANIA |
| title_full |
DIAGRAMANIA |
| title_fullStr |
DIAGRAMANIA |
| title_full_unstemmed |
DIAGRAMANIA |
| title_sort |
diagramania |
| description |
The topic of this article, titled Diagrammania, is chronologically situated at the beginnings of the contemporary era, when the figure of the diagram was placed at the position of the complexity-facing tool par excellence in a globalized world. The phenomenon of Diagrammania, which took place in the late twentieth century, showed a place of privilege of this figure as it monopolized a great number of headlines in specialized journals, publications of a more theoretical sort and disclosures of projects of renowned studios. This phenomenon,which spanned no more than a decade but spread on a worldwide scale and involved the main protagonists and personalities -both in the theoretical and practical realms- of contemporary architecture, deserves to be studied in-depth. The reach of it also allows us to assume its validity today. To this end, the objective of this work is to provide tools to precisely define the characteristics of the contemporary diagram and to effectively test the importance of its role in the architectural practice, and thus supporting or refuting, the hypothesis of a place of privilege of the diagram in our discipline. |
| publisher |
Universidad ORT Uruguay |
| publishDate |
2018 |
| url |
https://revistas.ort.edu.uy/anales-de-investigacion-en-arquitectura/article/view/2847 |
| work_keys_str_mv |
AT rodriguezemiliano diagramania |
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