The textile design experimentation as representation and resignification of women in the post-conflict in Colombia
After the signing of the Peace Agreements, the re-socialization of ex-combatants and victims of the war is one of the main challenges of the post-conflict in Colombia, where different components include an integral reincorporation into society are addressed. In this context, this article is presente...
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Universidad de Boyacá
2020
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ojs-article-4472020-01-28T05:58:19Z The textile design experimentation as representation and resignification of women in the post-conflict in Colombia El diseño y experimentación textil como representación y resignificación de la mujer en el postconflicto en Colombia Martínez, Vanessa Dotor, Ángela Social design Reinsertion Co-creation Diseño social Reinserción Cocreación After the signing of the Peace Agreements, the re-socialization of ex-combatants and victims of the war is one of the main challenges of the post-conflict in Colombia, where different components include an integral reincorporation into society are addressed. In this context, this article is presented as a reflection on the research-creation project in design called “My story has not ended yet”, proposed as a platform for social re-integration and re-signification of women through workshops and living design and reflection laboratories on textiles, embroidery and weaving under the principles of collaboration and co-creation. It was developed in 2018 in Bogotá, Colombia, as a design perspective with a social approach through a creation workshop based on the testimonial conceptualization of violence, the body, truth and its symbolic value to re-signify the subjects, which translated into design workshops for social hygiene and into the construction of social fabrics. From this experience a collection of clothing was obtained as a representation of women, as well as an exhibition of art-tissue exploration and a group of women empowered in their social fabric. Tras la firma de los Acuerdos de Paz, la resocialización de excombatientes y víctimas de la guerra es uno de los principales retos del postconflicto en Colombia, y en él se abordan diferentes componentes que comprenden una reincorporación integral en la sociedad. En este contexto, este artículo se presenta como reflexión sobre el proyecto de investigación-creación en diseño llamado “Mi historia aún no termina”, planteado como una plataforma de reincorporación social y resignificación de la mujer a través de talleres y laboratorios vivos de diseño con reflexión sobre textil, bordado y tejido, bajo principios de colaboración y cocreación. El proyecto fue implementado en 2018 en Bogotá–Colombia como una perspectiva de diseño con enfoque social, que se desarrolló a través de un taller de creación que partió de la conceptualización testimonial de la violencia, el cuerpo, la verdad y su valor simbólico para la resignificación de los sujetos, lo que se tradujo en talleres de diseño para la higiene social y la construcción de tejido social. Como resultado de la experiencia se obtuvo una colección de indumentaria (como representación de las mujeres participantes), una exposición de la exploración arte-tejido, y un grupo de mujeres empoderadas en su tejido social. Universidad de Boyacá 2020-01-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/447 10.24267/22564004.447 Designia; Vol. 7 No. 2 (2020): Revista Designia | Enero - Junio 2020; 67-87 Designia; Vol. 7 Núm. 2 (2020): Revista Designia | Enero - Junio 2020; 67-87 2539-147X 2256-4004 spa https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/447/483 Derechos de autor 2020 Designia |
| institution |
Universidad de Boyacá |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Martínez, Vanessa Dotor, Ángela |
| spellingShingle |
Martínez, Vanessa Dotor, Ángela The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| author_facet |
Martínez, Vanessa Dotor, Ángela |
| author_sort |
Martínez, Vanessa |
| title |
The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| title_short |
The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| title_full |
The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| title_fullStr |
The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| title_full_unstemmed |
The textile design experimentation as representation and resignification of women in the post-conflict in Colombia |
| title_sort |
textile design experimentation as representation and resignification of women in the post-conflict in colombia |
| description |
After the signing of the Peace Agreements, the re-socialization of ex-combatants and victims of the war is one of the main challenges of the post-conflict in Colombia, where different components include an integral reincorporation into society are addressed.
In this context, this article is presented as a reflection on the research-creation project in design called “My story has not ended yet”, proposed as a platform for social re-integration and re-signification of women through workshops and living design and reflection laboratories on textiles, embroidery and weaving under the principles of collaboration and co-creation.
It was developed in 2018 in Bogotá, Colombia, as a design perspective with a social approach through a creation workshop based on the testimonial conceptualization of violence, the body, truth and its symbolic value to re-signify the subjects, which translated into design workshops for social hygiene and into the construction of social fabrics. From this experience a collection of clothing was obtained as a representation of women, as well as an exhibition of art-tissue exploration and a group of women empowered in their social fabric. |
| publisher |
Universidad de Boyacá |
| publishDate |
2020 |
| url |
https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/447 |
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