Doors, windows, walls and other elements: reflections on contemporary postmodern categories

In the first Venice Architecture Biennale held in 1980, The Present of the Past, the supremacy of (historicist) postmodernism was reproduced, and Charles Jencks’s voice of protest was heard claiming for the importance of distinguishing the different postmodern categories. Years later, in the Venice...

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Asıl Yazarlar:	Casais Pére, Nuria, Grau Valldosera, Ferran
Materyal Türü:	Online
Dil:	spa
Baskı/Yayın Bilgisi:	Universidad de Lima. Carrera de Arquitectura 2019
Online Erişim:	https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4530
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id	ojs-article-4530
record_format	ojs
spelling	ojs-article-45302020-06-30T04:36:40Z Doors, windows, walls and other elements: reflections on contemporary postmodern categories Puertas, ventanas, muros y otros elementos: reflexiones sobre categorías posmodernas contemporáneas Casais Pére, Nuria Grau Valldosera, Ferran Language element fragment category postmodernism Lenguaje elemento fragmento categoría posmodernismo In the first Venice Architecture Biennale held in 1980, The Present of the Past, the supremacy of (historicist) postmodernism was reproduced, and Charles Jencks’s voice of protest was heard claiming for the importance of distinguishing the different postmodern categories. Years later, in the Venice Architecture Biennale of 2014, Fundamentals, a (retroactive) research on the architectural elements and a global reflection on the absorption of modernity were presented. Fundamentals took place at the same time as certain independent practices, which were difficult to classify according to the categories established by Jencks in his family trees. Based on the fragmented definition (half modern, half something else), new contemporary postmodern compositions are analyzed and new categories are identified. In consequence, the matter of debate is the following: Does a contemporary architecture that could be referred as postmodernism really exist? En la primera edición de la Bienal de Venecia, The Present of the Past (1980), se escenificó la supremacía del posmodermismo (historicista) y se escuchó la protesta de Jencks, que reivindicaba la importancia de diferenciar las diversas categorías posmodernas. En la Bienal de Venecia del 2014, Fundamentals, se presentó una investigación (retroactiva) sobre los elementos arquitectónicos y una reflexión a nivel global sobre la absorción de la modernidad. Fundamentals se desarrolló a la par que ciertas prácticas de carácter independiente, de difícil clasificación según las categorías establecidas por Jencks en sus árboles genealógicos. Sobre la base de la definición fragmentada (mitad moderno, mitad otra cosa)* acuñada por Jencks, se analizan nuevas composiciones posmodernas contemporáneas y se identifican nuevas categorías. En consecuencia, la cuestión por debatir es esta: ¿existe realmente una arquitectura contemporánea a la cual nos podamos referir con el término posmodernismo? Universidad de Lima. Carrera de Arquitectura 2019-11-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4530 10.26439/limaq2019.n005.4530 Limaq; No. 005 (2019); 105-122 Limaq; Núm. 005 (2019); 105-122 2523-630X 2410-6127 10.26439/limaq2019.n005 spa https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4530/4503 Derechos de autor 2020 Limaq
institution	Universidad de Lima
collection	OJS
language	spa
format	Online
author	Casais Pére, Nuria Grau Valldosera, Ferran
spellingShingle	Casais Pére, Nuria Grau Valldosera, Ferran Doors, windows, walls and other elements: reflections on contemporary postmodern categories
author_facet	Casais Pére, Nuria Grau Valldosera, Ferran
author_sort	Casais Pére, Nuria
title	Doors, windows, walls and other elements: reflections on contemporary postmodern categories
title_short	Doors, windows, walls and other elements: reflections on contemporary postmodern categories
title_full	Doors, windows, walls and other elements: reflections on contemporary postmodern categories
title_fullStr	Doors, windows, walls and other elements: reflections on contemporary postmodern categories
title_full_unstemmed	Doors, windows, walls and other elements: reflections on contemporary postmodern categories
title_sort	doors, windows, walls and other elements: reflections on contemporary postmodern categories
description	In the first Venice Architecture Biennale held in 1980, The Present of the Past, the supremacy of (historicist) postmodernism was reproduced, and Charles Jencks’s voice of protest was heard claiming for the importance of distinguishing the different postmodern categories. Years later, in the Venice Architecture Biennale of 2014, Fundamentals, a (retroactive) research on the architectural elements and a global reflection on the absorption of modernity were presented. Fundamentals took place at the same time as certain independent practices, which were difficult to classify according to the categories established by Jencks in his family trees. Based on the fragmented definition (half modern, half something else), new contemporary postmodern compositions are analyzed and new categories are identified. In consequence, the matter of debate is the following: Does a contemporary architecture that could be referred as postmodernism really exist?
publisher	Universidad de Lima. Carrera de Arquitectura
publishDate	2019
url	https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4530
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Doors, windows, walls and other elements: reflections on contemporary postmodern categories

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