MAKINA: towards the utopia of a ship–theater

This paper comprehends the approach, process, project and results of an exercise conducted at the “Théâtres en Utopie” seminar of the DPEA in Scenography at the Nantes National Superior School of Architecture, France, in 2018. The academic framework addressed topics such as utopia and theater, and p...

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मुख्य लेखक: Suarez Torrico, Mauro Germán
स्वरूप: Online
भाषा:spa
प्रकाशित: Universidad de Lima. Carrera de Arquitectura 2020
ऑनलाइन पहुंच:https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4813
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spelling ojs-article-48132020-10-31T06:57:08Z MAKINA: towards the utopia of a ship–theater MAKINA: hacia la utopía de un teatro-barco Suarez Torrico, Mauro Germán Architecture project theater ship machine utopia Arquitectura proyecto teatro barco máquina utopía This paper comprehends the approach, process, project and results of an exercise conducted at the “Théâtres en Utopie” seminar of the DPEA in Scenography at the Nantes National Superior School of Architecture, France, in 2018. The academic framework addressed topics such as utopia and theater, and proposed the hypothesis of a navigable ship–theater, as it was once brought to life by Aldo Rossi’s Teatro del Mondo in the Venice Biennale(1979). “There is no theater without utopia” (Freydefont, in: Rocher, 2014, p. 11), just like there is no theater without adventure. Thus, the extraordinary theatrical journey of the Makina project will be analyzed along the Seine. Este artículo reúne el enfoque, el proceso, el proyecto y los resultados de un ejercicio cir-cunscripto en el seminario “Théâtre en Utopie” de la Diplomatura en Escenografíaen el DPEA, ENSA-Nantes, Francia, en el año 2018. Aquel abordó temas como la utopíay el teatro y trabajó la hipótesis de un teatro-barco navegable, como lo matrializara alguna vez el Teatro del Mondo de Aldo Rossi en la Bienal de Venecia (1979). “No hay teatro sin utopía” (Freydefont, en Rocher, 2014, p. 11) así como no hay teatro sin aventura; por ello, analizaremos el viaje teatral extraordinario del proyecto Makina a través del río Sena. Universidad de Lima. Carrera de Arquitectura 2020-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4813 10.26439/limaq2020.n006.4813 Limaq; No. 006 (2020); 13-27 Limaq; Núm. 006 (2020); 13-27 2523-630X 2410-6127 10.26439/limaq2020.n006 spa https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4813/4775 Derechos de autor 2020 Limaq https://creativecommons.org/licenses/by-nd/4.0
institution Universidad de Lima
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language spa
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author Suarez Torrico, Mauro Germán
spellingShingle Suarez Torrico, Mauro Germán
MAKINA: towards the utopia of a ship–theater
author_facet Suarez Torrico, Mauro Germán
author_sort Suarez Torrico, Mauro Germán
title MAKINA: towards the utopia of a ship–theater
title_short MAKINA: towards the utopia of a ship–theater
title_full MAKINA: towards the utopia of a ship–theater
title_fullStr MAKINA: towards the utopia of a ship–theater
title_full_unstemmed MAKINA: towards the utopia of a ship–theater
title_sort makina: towards the utopia of a ship–theater
description This paper comprehends the approach, process, project and results of an exercise conducted at the “Théâtres en Utopie” seminar of the DPEA in Scenography at the Nantes National Superior School of Architecture, France, in 2018. The academic framework addressed topics such as utopia and theater, and proposed the hypothesis of a navigable ship–theater, as it was once brought to life by Aldo Rossi’s Teatro del Mondo in the Venice Biennale(1979). “There is no theater without utopia” (Freydefont, in: Rocher, 2014, p. 11), just like there is no theater without adventure. Thus, the extraordinary theatrical journey of the Makina project will be analyzed along the Seine.
publisher Universidad de Lima. Carrera de Arquitectura
publishDate 2020
url https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4813
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