Independence Campaigns Clothing: Color analysis and its semiotics meaning
This article treats about the analysis of clothing color as a possible distinguishing feature at the territorial level and about a specific point in the history of Colombia, which serves as the main tool to identify cultural and social groups represented in Colombian clothing in the period from 1810...
Bewaard in:
| Hoofdauteurs: | , |
|---|---|
| Formaat: | Online |
| Taal: | spa |
| Gepubliceerd in: |
Universidad de Boyacá
2020
|
| Online toegang: | https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/515 |
| Tags: |
Voeg label toe
Geen labels, Wees de eerste die dit record labelt!
|
| id |
ojs-article-515 |
|---|---|
| record_format |
ojs |
| institution |
Universidad de Boyacá |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Martínez Arcos, Andrea Carolina Gómez Saavedra, Gissell Natalia |
| spellingShingle |
Martínez Arcos, Andrea Carolina Gómez Saavedra, Gissell Natalia Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| author_facet |
Martínez Arcos, Andrea Carolina Gómez Saavedra, Gissell Natalia |
| author_sort |
Martínez Arcos, Andrea Carolina |
| title |
Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| title_short |
Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| title_full |
Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| title_fullStr |
Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| title_full_unstemmed |
Independence Campaigns Clothing: Color analysis and its semiotics meaning |
| title_sort |
independence campaigns clothing: color analysis and its semiotics meaning |
| description |
This article treats about the analysis of clothing color as a possible distinguishing feature at the territorial level and about a specific point in the history of Colombia, which serves as the main tool to identify cultural and social groups represented in Colombian clothing in the period from 1810 to 1820. This analysis makes part of the ongoing investigation “Recognizing our heritage - Clothing during the Ruta Libertadora”; which aims to document and identify the elements of fashion design such as structure, shape, color and other visual and technical features that allow us to establish our own discourse regarding clothing, textile design and its own trend of time and region.
As a methodological process, a compilation of visual information obtained through cartographic sources and clothing illustrations was carried out, which were pertinent and corresponded to the main protagonists of the liberating feat. For this, a classification of images is carried out, which includes characters from the patriot and realist armies, as well as mestizo and creole people.
This systematic study allows us to reconstruct with data everything related to the wardrobe of that period in Boyacá. Specifically, and with regard to this article, color is taken in a case study as a fundamental resource of visual semiotics, in order to understand the color code and its relationship with the 6 fundamental axes proposed by Bernd Löbach (1981), about the functions of products and their relationship with man and object: aesthetic, functional, social, sensorial, formal and effects. This approach manage to show the influence of the French, English and Spanish costumes at that moment in history, and how it builds the preferences of social groups and their activities.
With the results obtained from this research, the aim is to establish a series of guidelines for a future project that allows us to understand the chromatic phenomenon in the universe of clothing linked to the customs of the time, in order to contribute to the memory of the history of the region and the design. |
| publisher |
Universidad de Boyacá |
| publishDate |
2020 |
| url |
https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/515 |
| work_keys_str_mv |
AT martinezarcosandreacarolina independencecampaignsclothingcoloranalysisanditssemioticsmeaning AT gomezsaavedragissellnatalia independencecampaignsclothingcoloranalysisanditssemioticsmeaning AT martinezarcosandreacarolina delasemioticavisualalasemioticadelamodaidentificandoelcolordurantelarutalibertadora AT gomezsaavedragissellnatalia delasemioticavisualalasemioticadelamodaidentificandoelcolordurantelarutalibertadora |
| _version_ |
1709548933946015744 |
| spelling |
ojs-article-5152020-07-01T01:21:52Z Independence Campaigns Clothing: Color analysis and its semiotics meaning De la semiótica visual a la semiótica de la moda: identificando el color durante la Ruta Libertadora Martínez Arcos, Andrea Carolina Gómez Saavedra, Gissell Natalia Color Visual semiotics Clothing Ruta Libertadora Color Semiótica visual Indumentaria Ruta Libertadora. This article treats about the analysis of clothing color as a possible distinguishing feature at the territorial level and about a specific point in the history of Colombia, which serves as the main tool to identify cultural and social groups represented in Colombian clothing in the period from 1810 to 1820. This analysis makes part of the ongoing investigation “Recognizing our heritage - Clothing during the Ruta Libertadora”; which aims to document and identify the elements of fashion design such as structure, shape, color and other visual and technical features that allow us to establish our own discourse regarding clothing, textile design and its own trend of time and region. As a methodological process, a compilation of visual information obtained through cartographic sources and clothing illustrations was carried out, which were pertinent and corresponded to the main protagonists of the liberating feat. For this, a classification of images is carried out, which includes characters from the patriot and realist armies, as well as mestizo and creole people. This systematic study allows us to reconstruct with data everything related to the wardrobe of that period in Boyacá. Specifically, and with regard to this article, color is taken in a case study as a fundamental resource of visual semiotics, in order to understand the color code and its relationship with the 6 fundamental axes proposed by Bernd Löbach (1981), about the functions of products and their relationship with man and object: aesthetic, functional, social, sensorial, formal and effects. This approach manage to show the influence of the French, English and Spanish costumes at that moment in history, and how it builds the preferences of social groups and their activities. With the results obtained from this research, the aim is to establish a series of guidelines for a future project that allows us to understand the chromatic phenomenon in the universe of clothing linked to the customs of the time, in order to contribute to the memory of the history of the region and the design. El presente artículo trata sobre el análisis del color del vestuario como posible rasgo diferenciador a nivel territorial y de época, lo que sirve como principal herramienta para identificar grupos culturales y sociales representados en la indumentaria colombiana en el periodo de 1810 a 1820. Este análisis hace parte de la investigación en curso “Reconocer nuestro patrimonio – Indumentaria durante la Ruta Libertadora”, la cual tiene por objetivo documentar e identificar los elementos del diseño de moda tales como estructura, forma, color y demás rasgos visuales y técnicos que permitan establecer un discurso propio con respecto al traje, el diseño textil y su tendencia propia de la época y la región. Como proceso metodológico se llevó a cabo una recopilación de información visual, obtenida a través de fuentes cartográficas e ilustraciones de indumentaria que fuesen pertinentes y correspondieran con los principales protagonistas de la gesta libertadora. Para ello se realizó una clasificación de imágenes, entre las que se incluyen personajes del ejército patriota, así como realistas, mestizos y criollos. Este estudio sistemático permite reconstruir con datos todo aquello relacionado con el vestuario de la época en Boyacá. En específico, y en lo que se refiere a este artículo, se toma como caso de estudio el color como recurso fundamental de la semiótica visual, para así comprender el código cromático y su relación con los seis ejes fundamentales planteados por Bernd Löbach (1981), para las funciones de los productos y su relación con el hombre y el objeto: lo estético, lo funcional, lo social, lo sensorial, lo formal y los efectos. Este enfoque logra evidenciar la influencia del vestuario francés, inglés y español en aquel momento de la historia, y cómo construye las preferencias de los grupos sociales en sus actividades. Con los resultados obtenidos de esta investigación se busca establecer una serie de pautas para un futuro proyecto que permita entender el fenómeno cromático en el universo de la indumentaria ligada al costumbrismo de la época, para así aportar a la memoria de la historia de la región y del diseño. Universidad de Boyacá 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/515 10.24267/22564004.515 Designia; Vol. 7 No. 1 (2019): Revista Designia | Julio - Diciembre 2019; 85-115 Designia; Vol. 7 Núm. 1 (2019): Revista Designia | Julio - Diciembre 2019; 85-115 2539-147X 2256-4004 spa https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/515/506 Derechos de autor 2020 Designia |