Color and discursive identities in the temple of the Santa Barbara in Tunja
This article of scientific and technological research presents the results of two investigations related to the discursive identities and operations of semiotic and discursive construction of the mural painting of the Temple of Santa Barbara in Tunja. From the theoretical and methodological perspect...
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Universidad de Boyacá
2020
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ojs-article-5232020-07-23T08:42:02Z Color and discursive identities in the temple of the Santa Barbara in Tunja Color e identidades discursivas en el templo de Santa Bárbara de Tunja Rojas Rojas, Lizeth Arévalo Viveros, Luis Color Mural Paintings Identities Santa Barbara Semiotic Color Murales Identidades Santa Bárbara Semiótica This article of scientific and technological research presents the results of two investigations related to the discursive identities and operations of semiotic and discursive construction of the mural painting of the Temple of Santa Barbara in Tunja. From the theoretical and methodological perspective of the semiotics of the School of Paris, the relationship between the colors of the paintings and the discursive identities enunciated in the murals of the cited temple was analyzed. It should be noted that the identities of cultural subjects and groups are proposed as multidimensional discursive signs, constituted by their cognition, axiology, passions and semiotic systems, including chromatic ones. The semiotic analysis of the color in the mural painting allowed concluding on the enunciation of discursive identities that hybridize forms of Catholic life, of western European origin, and Native Americans. Similarly, it was agreed that the identified color meanings, dating from the seventeenth century, remain until today in the cultural universe of religious ritual space location. En este artículo de investigación científica y tecnológica se exponen resultados de dos investigaciones relacionadas con las identidades discursivas y las operaciones de construcción semiótica y discursiva de la pintura mural del Templo de Santa Bárbara de Tunja. A partir de la perspectiva teórica y metodológica de la semiótica de la Escuela de París, se analizó la relación entre los colores de las pinturas y las identidades discursivas enunciadas en los murales del templo citado. Cabe destacar que las identidades de los sujetos y colectivos culturales se proponen como signos discursivos multidimensionales, constituidos por su cognición, axiología, pasiones y sistemas semióticos, entre ellos, los cromáticos. El análisis semiótico del color en la pintura mural permitió concluir sobre la enunciación de identidades discursivas que hibridan formas de vida católicas, de origen europeo occidental, y nativas americanas. De igual manera, se coligió que las significaciones del color identificadas, que datan del siglo XVII, se mantienen hasta la actualidad en el universo cultural de ubicación del espacio de ritual religioso. Universidad de Boyacá 2020-07-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/523 10.24267/22564004.523 Designia; Vol. 8 No. 1 (2020): Revista Designia | Julio - Diciembre 2020; 79-99 Designia; Vol. 8 Núm. 1 (2020): Revista Designia | Julio - Diciembre 2020; 79-99 2539-147X 2256-4004 spa https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/523/511 Derechos de autor 2020 Designia |
| institution |
Universidad de Boyacá |
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OJS |
| language |
spa |
| format |
Online |
| author |
Rojas Rojas, Lizeth Arévalo Viveros, Luis |
| spellingShingle |
Rojas Rojas, Lizeth Arévalo Viveros, Luis Color and discursive identities in the temple of the Santa Barbara in Tunja |
| author_facet |
Rojas Rojas, Lizeth Arévalo Viveros, Luis |
| author_sort |
Rojas Rojas, Lizeth |
| title |
Color and discursive identities in the temple of the Santa Barbara in Tunja |
| title_short |
Color and discursive identities in the temple of the Santa Barbara in Tunja |
| title_full |
Color and discursive identities in the temple of the Santa Barbara in Tunja |
| title_fullStr |
Color and discursive identities in the temple of the Santa Barbara in Tunja |
| title_full_unstemmed |
Color and discursive identities in the temple of the Santa Barbara in Tunja |
| title_sort |
color and discursive identities in the temple of the santa barbara in tunja |
| description |
This article of scientific and technological research presents the results of two investigations related to the discursive identities and operations of semiotic and discursive construction of the mural painting of the Temple of Santa Barbara in Tunja. From the theoretical and methodological perspective of the semiotics of the School of Paris, the relationship between the colors of the paintings and the discursive identities enunciated in the murals of the cited temple was analyzed.
It should be noted that the identities of cultural subjects and groups are proposed as multidimensional discursive signs, constituted by their cognition, axiology, passions and semiotic systems, including chromatic ones. The semiotic analysis of the color in the mural painting allowed concluding on the enunciation of discursive identities that hybridize forms of Catholic life, of western European origin, and Native Americans. Similarly, it was agreed that the identified color meanings, dating from the seventeenth century, remain until today in the cultural universe of religious ritual space location. |
| publisher |
Universidad de Boyacá |
| publishDate |
2020 |
| url |
https://revistasdigitales.uniboyaca.edu.co/index.php/designia/article/view/523 |
| work_keys_str_mv |
AT rojasrojaslizeth coloranddiscursiveidentitiesinthetempleofthesantabarbaraintunja AT arevaloviverosluis coloranddiscursiveidentitiesinthetempleofthesantabarbaraintunja AT rojasrojaslizeth coloreidentidadesdiscursivaseneltemplodesantabarbaradetunja AT arevaloviverosluis coloreidentidadesdiscursivaseneltemplodesantabarbaradetunja |
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