Architecture, modernity, modernization.
In the framework of an ongoing reflection in various French institutions regarding the consolidation of architecture as an object of scientific research—in a process that is almost half a century old—, this paper questions the idea of modernity in architecture, and analyzes discourses that have expl...
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Universidad Católica de Colombia
2019
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| גישה מקוונת: | https://revistadearquitectura.ucatolica.edu.co/article/view/2539 |
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oai:editorial.ucatolica.edu.co:article-2539 |
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Universidad Católica de Colombia |
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Online |
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Cohen, Jean-Louis Ávila-Gómez, Andrés Ruiz, Diana Carolina |
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Cohen, Jean-Louis Ávila-Gómez, Andrés Ruiz, Diana Carolina Architecture, modernity, modernization. |
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Cohen, Jean-Louis Ávila-Gómez, Andrés Ruiz, Diana Carolina |
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Cohen, Jean-Louis |
| title |
Architecture, modernity, modernization. |
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Architecture, modernity, modernization. |
| title_full |
Architecture, modernity, modernization. |
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Architecture, modernity, modernization. |
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Architecture, modernity, modernization. |
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architecture, modernity, modernization. |
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In the framework of an ongoing reflection in various French institutions regarding the consolidation of architecture as an object of scientific research—in a process that is almost half a century old—, this paper questions the idea of modernity in architecture, and analyzes discourses that have explained the modernization of society through architecture. Initially, it describes the context that led to the creation of the CORDA network in the early 1970s: a public organization that fostered research "by and for" architecture. On the other hand, as protagonist of this process, the author of the present text develops (based on a concise "intellectual self-portrait") a hypothesis about the rupture between architects and intellectuals, a characteristic of the French panorama of the period, in clear contrast with the Italian case, for example. Thus, based on the analysis of episodes and specific cases that illustrate the diversity of relationships that have existed, for example, between the architect and the book, writers and architecture, or the building and the city, the article elucidates some aspects that, as a whole (and privileging a transdisciplinary and transnational reading), strengthen the renewal of the history of contemporary architecture as a disciplinary field. |
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Universidad Católica de Colombia |
| publishDate |
2019 |
| url |
https://revistadearquitectura.ucatolica.edu.co/article/view/2539 |
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oai:editorial.ucatolica.edu.co:article-25392021-03-25T17:46:39Z Architecture, modernity, modernization. Arquitectura modernidad modernización. Arquitetura, modernidade, modernização. Cohen, Jean-Louis Ávila-Gómez, Andrés Ruiz, Diana Carolina history of architecture theory of architecture teaching of architecture architectural culture research in architecture historia de la arquitectura teoría de la arquitectura enseñanza de la arquitectura cultura arquitectónica investigación en arquitectura história da arquitetura teoria da arquitetura ensino da arquitetura cultura arquitetônica pesquisa em arquitetura In the framework of an ongoing reflection in various French institutions regarding the consolidation of architecture as an object of scientific research—in a process that is almost half a century old—, this paper questions the idea of modernity in architecture, and analyzes discourses that have explained the modernization of society through architecture. Initially, it describes the context that led to the creation of the CORDA network in the early 1970s: a public organization that fostered research "by and for" architecture. On the other hand, as protagonist of this process, the author of the present text develops (based on a concise "intellectual self-portrait") a hypothesis about the rupture between architects and intellectuals, a characteristic of the French panorama of the period, in clear contrast with the Italian case, for example. Thus, based on the analysis of episodes and specific cases that illustrate the diversity of relationships that have existed, for example, between the architect and the book, writers and architecture, or the building and the city, the article elucidates some aspects that, as a whole (and privileging a transdisciplinary and transnational reading), strengthen the renewal of the history of contemporary architecture as a disciplinary field. En el marco de una reflexión que tiene lugar actualmente en diversas instituciones francesas a propósito de la consolidación de la arquitectura como objeto de investigación científica -en un proceso que cumple casi medio siglo-, el presente texto interroga la idea de modernidad en arquitectura, y analiza discursos que han explicado la modernización de la sociedad a través de la arquitectura. Inicialmente, se describe el contexto que propició a principios de la década de los setenta la creación del CORDA: un organismo de carácter público que fomentó la investigación "por y para" la arquitectura. Ror otro lado, como protagonista de dicho proceso, el autor del presente texto desarrolla (a partir de un conciso "autorretrato intelectual") la hipótesis acerca de la ruptura entre arquitectos e intelectuales que caracterizaba el panorama francés de la época -en evidente contraste con el caso italiano, por ejemplo-. Así, desde el análisis de episodios y casos puntuales que ilustran la diversidad de las relaciones que se han entretejido, por ejemplo, entre el arquitecto y el libro, los escritores y la arquitectura, o el edificio y la ciudad, se esclarecen algunos aspectos que en su conjunto (y privilegiando para ello una lectura transdisciplinar y transnacional) fortalecen la renovación de la historia de la arquitectura contemporánea como campo disciplinar. No âmbito de uma reflexão que acontece atualmente em diversas instituições francesas em virtude da consolidação da arquitetura como objeto de pesquisa científica — em um processo que já tem quase meio século —, este texto questiona a ideia de modernidade em arquitetura e analisa discursos que explicaram a modernização da sociedade por meio da arquitetura. Inicialmente, descreve-se o contexto que promoveu, no princípio da década dos 1970, a criação do CORDA: um organismo de caráter público que fomentou a pesquisa "por e para" a arquitetura. Ror sua vez, como protagonista desse processo, o autor deste texto desenvolve, a partir de um conciso "autorretrato intelectual", a hipótese sobre a ruptura entre arquitetos e intelectuais que caracterizava o panorama francês da época — em evidente contraste com o caso italiano, por exemplo. Assim, a partir da análise de episódios e casos pontuais que ilustram a diversidade das relações que se entrelaçaram, por exemplo, entre o arquiteto e o livro, os escritores e a arquitetura, ou o edifício e a cidade, são esclarecidos alguns aspectos que, em seu conjunto (e privilegiando para isso uma leitura transdisciplinar e transnacional), fortalecem a renovação da história da arquitetura contemporânea como campo disciplinar. Universidad Católica de Colombia 2019-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf application/zip text/xml https://revistadearquitectura.ucatolica.edu.co/article/view/2539 10.14718/RevArq.2019.21.2.2539 Revista de Arquitectura; Vol. 21 No. 2 (2019): Julio - diciembre; 126-142 Revista de Arquitectura (Bogotá); Vol. 21 Núm. 2 (2019): Julio - diciembre; 126-142 Revista de Arquitectura; Vol. 21 No. 2 (2019): Julio - diciembre; 126-142 Revista de Arquitectura; v. 21 n. 2 (2019): Julio - diciembre; 126-142 2357-626X 1657-0308 spa https://revistadearquitectura.ucatolica.edu.co/article/view/2539/2556 https://revistadearquitectura.ucatolica.edu.co/article/view/2539/2973 https://revistadearquitectura.ucatolica.edu.co/article/view/2539/2918 https://revistadearquitectura.ucatolica.edu.co/article/view/2539/3090 Derechos de autor 2019 Jean-Louis Cohen info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc/4.0 |