Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters

In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presen...

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Yazar: Moreno Moreno, María Pura
Materyal Türü: Online
Dil:spa
Baskı/Yayın Bilgisi: Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018
Online Erişim:https://www.revistas.unam.mx/index.php/bitacora/article/view/67816
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spelling oai:ojs.pkp.sfu.ca:article-678162021-01-27T17:43:24Z Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters El jardín japonés de Isamu Noguchi, en la sede de la Unesco en París Moreno Moreno, María Pura Noguch Unesco jardín naturaleza escultura arquitectura Noguchi UNESCO garden nature sculpture architecture In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presence, thanks to the coherence of its formal structure, its symbolic topography and its concrete materialization. This convergence allowed for the reconceptualization of the enclosed garden’s design, managing to transcend the aesthetic and the functional in favor of sensory experimentation throughout the space. En el jardín japonés de la sede de la Unesco de París, Isamu Noguchi reflejó su visión abstracta del mundo al evidenciar la relación entre espacio y materia. La utilización de los conceptos de tipo, topos y tectónica dirigió esta actuación –en principio escultórica– a una existencia arquitectónica, gracias a la coherencia entre una estructura formal, una topografía simbólica y una precisa materialización constructiva. Su convergencia en la propuesta permitió la reconceptualización de diseño de jardín acotado y logró trascender lo estético y lo funcional a favor de la experimentación sensorial en su recorrido. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/67816 10.22201/fa.14058901p.2018.39.67816 Bitacora Arquitectura; No. 39 (2018): Senses; 04-15 Bitácora Arquitectura; Núm. 39 (2018): Sentidos; 04-15 2594-0856 1405-8901 10.22201/fa.14058901p.2018.39 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/67816/60309 https://www.revistas.unam.mx/index.php/bitacora/article/view/67816/67498 Derechos de autor 2018 Bitácora arquitectura
institution Universidad Nacional Autónoma de México
collection OJS
language spa
format Online
author Moreno Moreno, María Pura
spellingShingle Moreno Moreno, María Pura
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
author_facet Moreno Moreno, María Pura
author_sort Moreno Moreno, María Pura
title Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
title_short Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
title_full Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
title_fullStr Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
title_full_unstemmed Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
title_sort isamu noguchi’s japanese garden in the paris unesco headquarters
description In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presence, thanks to the coherence of its formal structure, its symbolic topography and its concrete materialization. This convergence allowed for the reconceptualization of the enclosed garden’s design, managing to transcend the aesthetic and the functional in favor of sensory experimentation throughout the space.
publisher Facultad de Arquitectura, Universidad Nacional Autónoma de México
publishDate 2018
url https://www.revistas.unam.mx/index.php/bitacora/article/view/67816
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