Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters
In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presen...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Online |
| ভাষা: | spa |
| প্রকাশিত: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2018
|
| অনলাইন ব্যবহার করুন: | https://www.revistas.unam.mx/index.php/bitacora/article/view/67816 |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
|
| id |
oai:ojs.pkp.sfu.ca:article-67816 |
|---|---|
| record_format |
ojs |
| spelling |
oai:ojs.pkp.sfu.ca:article-678162021-01-27T17:43:24Z Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters El jardín japonés de Isamu Noguchi, en la sede de la Unesco en París Moreno Moreno, María Pura Noguch Unesco jardín naturaleza escultura arquitectura Noguchi UNESCO garden nature sculpture architecture In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presence, thanks to the coherence of its formal structure, its symbolic topography and its concrete materialization. This convergence allowed for the reconceptualization of the enclosed garden’s design, managing to transcend the aesthetic and the functional in favor of sensory experimentation throughout the space. En el jardín japonés de la sede de la Unesco de París, Isamu Noguchi reflejó su visión abstracta del mundo al evidenciar la relación entre espacio y materia. La utilización de los conceptos de tipo, topos y tectónica dirigió esta actuación –en principio escultórica– a una existencia arquitectónica, gracias a la coherencia entre una estructura formal, una topografía simbólica y una precisa materialización constructiva. Su convergencia en la propuesta permitió la reconceptualización de diseño de jardín acotado y logró trascender lo estético y lo funcional a favor de la experimentación sensorial en su recorrido. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/67816 10.22201/fa.14058901p.2018.39.67816 Bitacora Arquitectura; No. 39 (2018): Senses; 04-15 Bitácora Arquitectura; Núm. 39 (2018): Sentidos; 04-15 2594-0856 1405-8901 10.22201/fa.14058901p.2018.39 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/67816/60309 https://www.revistas.unam.mx/index.php/bitacora/article/view/67816/67498 Derechos de autor 2018 Bitácora arquitectura |
| institution |
Universidad Nacional Autónoma de México |
| collection |
OJS |
| language |
spa |
| format |
Online |
| author |
Moreno Moreno, María Pura |
| spellingShingle |
Moreno Moreno, María Pura Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| author_facet |
Moreno Moreno, María Pura |
| author_sort |
Moreno Moreno, María Pura |
| title |
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| title_short |
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| title_full |
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| title_fullStr |
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| title_full_unstemmed |
Isamu Noguchi’s Japanese Garden in the Paris UNESCO Headquarters |
| title_sort |
isamu noguchi’s japanese garden in the paris unesco headquarters |
| description |
In the Japanese Garden of the Paris UNESCO Headquarters, Isamu Noguchi captured his abstract vision of the world, revealing the relationship between space and matter. The use of the concepts of type, topos and tectonic guided this intervention – initially sculptural – towards an architectural presence, thanks to the coherence of its formal structure, its symbolic topography and its concrete materialization. This convergence allowed for the reconceptualization of the enclosed garden’s design, managing to transcend the aesthetic and the functional in favor of sensory experimentation throughout the space. |
| publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
| publishDate |
2018 |
| url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/67816 |
| work_keys_str_mv |
AT morenomorenomariapura isamunoguchisjapanesegardenintheparisunescoheadquarters AT morenomorenomariapura eljardinjaponesdeisamunoguchienlasededelaunescoenparis |
| _version_ |
1817362176941228032 |