From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films
Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Online |
| Sprache: | spa |
| Veröffentlicht: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
| Online Zugang: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69438 |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| Zusammenfassung: | Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both in fictional and documentary films. This analysis focuses on films set in Mexico City |
|---|