From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films
Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both...
Salvato in:
Autore principale: | |
---|---|
Natura: | Online |
Lingua: | spa |
Pubblicazione: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
Accesso online: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69438 |
Tags: |
Aggiungi Tag
Nessun Tag, puoi essere il primo ad aggiungerne! !
|
id |
oai:ojs.pkp.sfu.ca:article-69438 |
---|---|
record_format |
ojs |
spelling |
oai:ojs.pkp.sfu.ca:article-694382020-07-29T22:25:46Z From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films Del patio de vecindad a la urbe inabarcable. La Ciudad de México en películas de formato coral. Quiroz Rothe, Héctor películas corales representación cinematográfica de la ciudad Ciudad de México historia urbana Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both in fictional and documentary films. This analysis focuses on films set in Mexico City El cine, como otras formas narrativas, ha intentado aprehender desde su origen la diversidad y complejidad que caracterizan la vida en las grandes ciudades. En este texto proponemos un recuento (no exhaustivo) de cintas corales, a partir del cual se identifican formatos, recursos narrativos, lugares y anécdotas que han utilizado los cineastas para cumplir con este objetivo tanto en la ficción como en el documental. El análisis enfatiza el caso de la Ciudad de México. Facultad de Arquitectura, Universidad Nacional Autónoma de México 2019-05-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Investigación application/pdf application/xml https://www.revistas.unam.mx/index.php/bitacora/article/view/69438 10.22201/fa.14058901p.2019.40.69438 Bitacora Arquitectura; No. 40 (2018): Film and Architecture; 58-67 Bitácora Arquitectura; Núm. 40 (2018): Cine y arquitectura; 58-67 2594-0856 1405-8901 10.22201/fa.14058901p.2019.40 spa https://www.revistas.unam.mx/index.php/bitacora/article/view/69438/61451 https://www.revistas.unam.mx/index.php/bitacora/article/view/69438/67519 Derechos de autor 2019 Bitácora arquitectura |
institution |
Universidad Nacional Autónoma de México |
collection |
OJS |
language |
spa |
format |
Online |
author |
Quiroz Rothe, Héctor |
spellingShingle |
Quiroz Rothe, Héctor From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
author_facet |
Quiroz Rothe, Héctor |
author_sort |
Quiroz Rothe, Héctor |
title |
From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
title_short |
From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
title_full |
From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
title_fullStr |
From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
title_full_unstemmed |
From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films |
title_sort |
from the shared patio to the endless metropolis: the representation of mexico city in ensemble films |
description |
Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both in fictional and documentary films. This analysis focuses on films set in Mexico City |
publisher |
Facultad de Arquitectura, Universidad Nacional Autónoma de México |
publishDate |
2019 |
url |
https://www.revistas.unam.mx/index.php/bitacora/article/view/69438 |
work_keys_str_mv |
AT quirozrothehector fromthesharedpatiototheendlessmetropolistherepresentationofmexicocityinensemblefilms AT quirozrothehector delpatiodevecindadalaurbeinabarcablelaciudaddemexicoenpeliculasdeformatocoral |
_version_ |
1817362180198105088 |