El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...
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| 主要な著者: | , |
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| フォーマット: | Online |
| 言語: | spa |
| 出版事項: |
UNIVERSIDAD ANTONIO NARIÑO
2013
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| オンライン･アクセス: | https://revistas.uan.edu.co/index.php/nodo/article/view/85 |
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| 要約: | The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. |
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