Metáforas de modernidad en la fotografía de las revistas de arquitectura Argentina, 1929-1955
This article focuses on the architecture photography analyzed in the pages of the Argentinean magazine Nuestra Arquitectura (Our Architecture) from its beginnings until 1955. The author maintains here that the discourse of these images – which regard photography as text – gathered together sufficien...
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| Príomhúdar: | |
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| Formáid: | Online |
| Teanga: | spa |
| Foilsithe: |
Universidad del Bío-Bío, Chile
2014
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| Rochtain Ar Líne: | https://revistas.ubiobio.cl/index.php/AS/article/view/746 |
| Clibeanna: |
Cuir Clib Leis
Gan Chlibeanna, Bí ar an gcéad duine leis an taifead seo a chlibeáil!
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| Achoimre: | This article focuses on the architecture photography analyzed in the pages of the Argentinean magazine Nuestra Arquitectura (Our Architecture) from its beginnings until 1955. The author maintains here that the discourse of these images – which regard photography as text – gathered together sufficient conditions so as to consolidate the beginning of the Modern Movement in the local context. This study is based on the communication mechanisms that facilitated the construction and spread of new codes, whose paradigmatic criteria took into account visual perception, space aesthetics and volume. They favored the shape of an architectural object over its habitability, and installed the form of an imaginary modernity. |
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