MAKINA: towards the utopia of a ship–theater

This paper comprehends the approach, process, project and results of an exercise conducted at the “Théâtres en Utopie” seminar of the DPEA in Scenography at the Nantes National Superior School of Architecture, France, in 2018. The academic framework addressed topics such as utopia and theater, and p...

Szczegółowa specyfikacja

Zapisane w:
Opis bibliograficzny
1. autor: Suarez Torrico, Mauro Germán
Format: Online
Język:spa
Wydane: Universidad de Lima. Carrera de Arquitectura 2020
Dostęp online:https://revistas.ulima.edu.pe/index.php/Limaq/article/view/4813
Etykiety: Dodaj etykietę
Nie ma etykietki, Dołącz pierwszą etykiete!
Opis
Streszczenie:This paper comprehends the approach, process, project and results of an exercise conducted at the “Théâtres en Utopie” seminar of the DPEA in Scenography at the Nantes National Superior School of Architecture, France, in 2018. The academic framework addressed topics such as utopia and theater, and proposed the hypothesis of a navigable ship–theater, as it was once brought to life by Aldo Rossi’s Teatro del Mondo in the Venice Biennale(1979). “There is no theater without utopia” (Freydefont, in: Rocher, 2014, p. 11), just like there is no theater without adventure. Thus, the extraordinary theatrical journey of the Makina project will be analyzed along the Seine.