From the Shared Patio to the Endless Metropolis: The Representation of Mexico City in Ensemble Films
Film, like other narrative media, has tried to represent the diversity and complexity of urban life ever since its origins. This article provides a (non-exhaustive) reading of ensemble films, identifying formats, narrative techniques, locations and stories that filmmakers have used to this end, both...
Saved in:
Main Author: | Quiroz Rothe, Héctor |
---|---|
Format: | Online |
Language: | spa |
Published: |
Facultad de Arquitectura, Universidad Nacional Autónoma de México
2019
|
Online Access: | https://www.revistas.unam.mx/index.php/bitacora/article/view/69438 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Endless cities
by: Alarcón, Luisa, et al.
Published: (2021) -
Descending to the Monument from Above: Cities at the Beginnings of Films
by: Gorostiza, Jorge
Published: (2019) -
Use and perception of public spaces in University City, Mexico city
by: quiroz Rothe, Héctor, et al.
Published: (2011) -
City Planning: Between Rationality and Emotion
by: Quiroz Rothe, Héctor
Published: (2016) -
The city as an endless history About historical centers in Latin America
by: Delgado, Manuel
Published: (2019)